Showing posts with label installation. Show all posts
Showing posts with label installation. Show all posts

2016/01/22

Ugo Rondinone in Museum Boijmans Van Beuningen | Rotterdam


Ugo Rondinone in Museum Boijmans Van Beuningen | Rotterdam

Ugo Rondinone | Vocabulary of Solitude
February 13–May 29, 2016
 
Museum Boijmans Van Beuningen
Rotterdam |The Netherlands


Ugo Rondinone, Vocabulary of solitude. sleep, 2014. 
Clown costume, masker, live performance. Collection of the artist. 
photocredit:  Museum Boijmans Van Beuningen

This spring the magical world of artist Ugo Rondinone (b. 1964, Switzerland, lives and works in New York) will be present at the Museum Boijmans Van Beuningen in Rotterdam, during the Art Rotterdam Week. The artist will bring together new and existing works in a large installation like a colour spectrum revealing the various facets of existence. Forty-five life-size clown sculptures will form the centrepiece of Vocabulary of Solitude, the artist’s first solo exhibition in the Netherlands.

On the floor of the 1500m2 Bodon Galleries visitors will see forty-five life-size sculptures of passive and contemplative clowns, each named after an everyday activity: dream, sleep, yawn, read, cook. Together they describe by artist a person’s solitary day at home. The clown sculptures have never previously been exhibited and will be transported directly to Rotterdam from Rondinone’s studio in New York.
 Ugo Rondinone, vierzehnterseptemberzweitausendundfünfzehn, 2015. 
Acryl on canvas, 520 x 270 cm. Collection of the artist
 photocredit:  Museum Boijmans Van Beuningen
Rainbows is an installation includes half mandala paintings created with an airbrush technique. The optical effect of the large rainbow bands of colour makes them dance before your eyes. The large window of the Bodon Galleries will be covered with a filter in all the colours of the rainbow, creating an intense colourful glow throughout the garden gallery. The rainbow theme continues in thousands of drawings by children: young artists who have responded to the artist’s request for help in creating a 4 x 30 metre wall of rainbow drawings.
 Ugo Rondinone, The Eighteenth Hour of the Poem, 2007. 
Wax and pigments, 140 x 82 x 82 cm. Artist's collection.
  photocredit:  Museum Boijmans Van Beuningen

Ugo Rondinone -  one of the world’s leading visual artists, has an Italian origin , born in Brunnen, Switzerland in 1964, currenty based in New York since 1998. He studied at the Hochschule für Angewandte Kunstin in Vienna. Earlier on in his career  Rondinone has collaborated  with Austrian performance artist Hermann Nitsch. He came to international attention during the 1990s with his installations by sculpture, painting, video, sound and photography. Rondinone represented Switzerland at the 52th Venice Biennale in 2007. He has been the curator of the exhibitions The Third Mind at the Palais de Tokyo in Paris (2007) and The Spirit Level at Barbara Gladstone Gallery in New York (2012). He had major solo exhibitions at Centre Pompidou, the Louisiana Museum of Modern Art, the Kunsthalle Wien , Palais Tokyo, Museum Leuven in Belgium . The work of Ugo Rondinone is represented by Galerie Eva Presenhuber (Zürich), Barbara Gladstone Gallery (New York – Brussels), Galerie Almine Rech (Paris – Brussels), Sadie Coles HQ (London) and Galerie Esther Schipper (Berlin).

 Ugo Rondinone, Still. Life, 2013. 
Bronze, and lead paint, 12.5 x 14 x 12.5 cm. Artist's collection
  photocredit:  Museum Boijmans Van Beuningen

Ugo Rondinone : “Good art revolutionizes your whole being. It is something that stops you, or slows you down.
”


practical info:
Museum Boijmans Van Beuningen
Museumpark 18-20
3015 CX Rotterdam
The Netherlands
www.boijmans.nl

2016/01/15

CHIHARU SHIOTA @GALERIE DANIEL TEMPLON | BRUSSLES

Chiharu Shiota|Sleeping is like death 
Galerie Daniel Templon |Brussels 
January 14 - February 20, 2016

 Chiharu Shiota >> Sleeping is like death at Galerie Daniel Templon; photocredit ArtNewsBulletin

Two years after inaugurating Galerie Templon’s Brussels space, and in the wake of her universally acclaimed participation in the 56th Venice Bienniale, Japanese artist Chiharu Shiota is returning to Belgium with a brand new performance and installation.

  Chiharu Shiota >> Sleeping is like death at Galerie Daniel Templon; photocredit ArtNewsBulletin

Hospital-style beds are imprisoned in what looks like a vast spider’s web. They will be occupied by three sleepers during the exhibition’s private view. The performance Sleeping is like death is the latest expression of Chiharu Shiota’s obsession with the slumbering state: abandonment of the body, estrangement between beings, the presence of a body whose spirit is wandering elsewhere, dreams and reminiscences. The artist is demanding a dual engagement from the viewer, both physical and emotional.
The monumental site-specific installation envelops the space in the graphic interplay of its woven surfaces. Their angular and circular intersections seem to be drawing in the air. The artist, celebrated for her labyrinthine networks made up of clouds of threads, is here exploring geometric experiments and deconstruction. Shiota is exhibiting a series of deconstructed and abstract sculptures for the first time behind the glass front of the Rue Veydt gallery. The exhibition concludes with the artist’s drawings, subtly portraying her mental projections.


Chiharu Shiota combines performance, body art and installations in a process that places the body at the centre of her sculptural work. Born in Osaka, Japan, in 1972, Chiharu Shiota has been living and working in Berlin since 1997. Her artistic language has been influenced by pioneering artists Louise Bourgeois, Eva Hesse and Ana Mendieta.Over recent years, Chiharu Shiota has performed and exhibited her work throughout the world, including at the Smithsonian (Arthur M. Sackler Gallery, Washington DC, 2014), Rochester Art Center, (Minnesota, 2014), la Vieille Charité (Marseilles, 2014), Mattress Factory Pittsburg (2013), Manège (Moscow, 2013), Museum of Art, Kochi (Japan, 2013) and La Maison Rouge (Paris, 2012). She designed the set for Matsukaze, one of the highly regarded Japanese Nô dramas directed by German choreographer, opera director and dancer Sasha Waltz and performed in Brussels at the Théâtre royal de la Monnaie and the Staatsoper in Berlin in 2011. In 2014, she also designed the stage settings for Tristan und Isolde at the Kiel opera in Germany. In 2015, she created an installation for the Japanese Pavilion at the Venice Bienniale, The Key in the Hand, made up of over 180,000 keys and exploring the notion of memory. Chiharu Shiota will be taking part in the 2016 Biennale of Sydney.

Address: Galerie Daniel Templon, 13 A rue Veydt,1060 Bruxelles.
Hours:Tuesday –Saturday from 11 am to 6 pm

* All images as from the opening of the exhibition of Chiharu Shiota >> Sleeping is like death at Galerie Daniel Templon , Brussels| photocredit : Art News Bulletin

2014/12/04

ANTI – Contemporary Art Festival 2015, Open call

ANTI – Contemporary Art Festival 2015, Finland, call for proposals
Deadline:16.12.2014

ANTI – Contemporary Art Festival is an international contemporary arts festival presenting site-specific works made for public space in Kuopio, Finland. ANTI presents live, sonic, visual and text-based art from today’s most exciting and innovative artists. A truly international festival and Finland’s foremost presenter of Live Art, ANTI is a meeting place for artists and audiences fascinated by how art shapes the spaces of everyday life.
In September 2015 ANTI Festival will collaborate with the Kuopio Marathon to present a unique series of cultural events created in response to the race. We invite proposals for projects that engage with one or more of the following areas:
·      Duration, longevity and time; the long and short of time-based activities
·      Sport and culture, sporting culture, cultural sport
·      The body and endurance – expanded ideas of endurance: political, social, cultural forms of endured activity; the social agency of endurance
·      The quantified self: fitness culture, technology and performance
·      The race, racing and competitive frameworks
·      Participation and mass events – the individual and the many
·      The enthusiast and the amateur: the cultural agency of the ‘trained’ every-person
·      Topographic trajectories and spatial intervention: running/reading/using the city
ANTI is a site-specific festival – we do not show projects in traditional cultural spaces, thus projects have a direct relationship with the spaces and places they are shown in. When proposing a project please make it clear where your project would ideally be located, and why. The 2015 festival will take place in and round the Kuopio Marathon – projects are imagined to establish a number of relationships with the race itself; some may engage directly with the event while others might happen in parallel to it etc.
The Kuopio Marathon was first held in 1998. 2015 will see around 2,500 runners take part. The event comprises a mix of distances – full marathon, half marathon, 10K (walk or run) and a series of races for children. The events takes place across the 4th and 5th of September. For more information: http://www.kuopiomaraton.com
Before making your proposal it may be beneficial to spend some time with the online archive of previous festival editions: http://www.antifestival.com
The proposal process
All proposals must be sent using this electronic form (https://anti.gruppo.fi/online-applications/index.php/survey/index/sid/426793/lang/en) and written in English. The form allows a link to be made to online documentation of previous work and for applicants to attach a CV and max three supporting images. Proposals that do not strictly conform to these guidelines will not be considered.
The proposal deadline is 16.12.2014
ANTI - Contemporary Art Festival 1 - 6 September 2015
Kuopio, Finland
Further information: info@antifestival.com

2015 Cheng Long Wetlands International Environmental Art Project, Taiwan

2015 Cheng Long Wetlands International Environmental Art Project in Taiwan
Deadline: January 16, 2015

Artist in Residency/Call for Proposals)
Artists from all countries are invited to send a proposal for a large-scale site-specific outdoor environmental sculpture installation to be created during a 25-day residency in Cheng Long, a small coastal village in southwest Taiwan, working with elementary school students, residents and volunteers. The 6 selected artists will receive an artist’s fee of US$2,000, airfare, accommodations and meals; for more information visit http://artproject4wetland.wordpress.com

Theme for 2015:  “Fragile – Handle with Care”
Residency in Cheng Long, Taiwan: April 9 - May 4, 2015
Deadline for Entries: January 16, 2015

To Apply: Send the following to Curator, Jane Ingram Allen at allenrebeccajanei@gmail.com  Proposals in Chinese to Ms. Chao-Mei Wang at chenglong.artproject@gmail.com

1. Description of proposed sculpture including dimensions and materials (limit one page, sent as attached .doc or .pdf file).
2. Artist Statement about how your art relates to the theme and including your experience working with children and communities and how you will involve them in your artwork (limit 1 page sent, as attached .doc or .pdf file).
3. Sketch of your proposed artwork (attached .jpg file of less than 1 MB).
4. 6 images of previous related works (6 attached .jpg files, each less than 1 MB)
5. Image list about the 6 images, including title of work, date made, materials used and location of the artwork (sent as attached .doc or .pdf file)
6. CV or Resume (sent as attached .doc or .pdf file) including present address, nationality, education, awards, residencies and exhibitions.

2014/01/27

Media Art Grants 2014, Open calls

Media Art Grants 2014 
Foundation of Lower Saxony at the Edith-Russ-Haus for Media Art 
and  Edith-Russ-Haus Award for Emerging Media Artists of the Sparda-Bank 2014
Deadline: February 16, 2014

Media Art Grants 2014

Edith-Russ-Haus for Media Art will award three production and residency grants—10,000 EUR each—to promote international artistic efforts in the field of media art.

The grants from the Foundation of Lower Saxony at the Edith-Russ-Haus for Media Art were created in 2001, and are recognized internationally for their support of the production in the wide range of media art, from video art and net-based projects to audio or audio-visual installations.
The grant covers a period of six months—July–December 2014—and requires residence in Oldenburg for at least one month.
The project or artistic work should be completed within the six-month grant period. An international jury of experts will choose the grant winners.
Online application here

Edith-Russ-Haus Award for Emerging Media Artists of the Sparda-Bank 2014

The Edith-Russ-Haus for Media Art will award up to five grants for artistic works in the area of new media.
–two grants to the amount of 3,000 EUR and participation in the Award for Emerging Artists exhibition at the ERH;
–up to three artists will be acknowledged by having their work presented in the Award for Emerging Artists exhibition at the ERH.

The Edith-Russ-Haus for Media Art would like to recognize new stances in media art and support the winning artists with grants and/or an exhibition. The prize is intended to lastingly promote the careers of young media artists.
Awards will be given to existing works from the broad spectrum of media art, from net-based projects or video art to audio or audio-visual installations.
International artists up to the age of 35 may participate. 
An international jury of experts will choose the prize winners.
Online application here. 
For further information, please contact info@edith-russ-haus.de

About Edith-Russ-Haus for Media Art
The Edith-Russ-Haus for Media Art opened in 2000 and is devoted to a wide range of current issues related to media art. Exhibitions by international artists and presentations, performances, concerts, workshops and lectures by media artists and theorists are regularly organized. Important past exhibitions have dealt with key contemporary themes such as Something Other Than Photography: Photo&Media andGeneration i.2 – The Aesthetics of the Digital in the 21st Century; important media artists have been presented in solo exhibitions. In October 2013, the first exhibition of the winners of the Edith-Russ-Haus Award for Emerging Media Artists of the Sparda-Bank was presented: Kuai Shen with the space and sound installation Oh!m1gas: biomimetic stridulation environment and ss-io (Hyun Ju Song und Mi Lyoung Bae) with the generative audiovisual installation The Moment.
Since 2001, the Edith-Russ-Haus for Media Art has conducted a regular guest-artist programme, which up to now has sponsored and implemented 35 artistic proposals. To this end, two one-room apartments and a residential studio are available in the guesthouse of the Edith-Russ-Haus, and grant recipients can call upon the institutional support of the institution in implementing their projects.

contacts:
Edith-Russ-Haus for Media Art
Katharinenstraße 23
D-26121 Oldenburg
Germany
http://www.edith-russ-haus.de

2014/01/18

10th International Festival of Digital Arts & New Media, Athens, Open Call

10th edition of the International Festival of Digital Arts & New Media, Athens, Greece
deadline: 10 March 2014 (date of postmark)

The 10th edition of the International Festival of Digital Arts & New Media of Greece, Athens Video Art Festival is here scheduled to take place in May. 
Athens Video Art Festival initiated a broadly creative dialogue with Academic Institutions, Organizations, International Festivals and internationally acclaimed artists. Its aim was to create an international meeting platform that would bring out current trends in contemporary digital art. As in previous years, the main categories will be accompanied with art acts, presentations and workshops. 
Athens Video Art Festival invites all contemporary artists to find inspiration in the urban environment and the inexhaustible potential of new media, experimenting and freeing themselves from all stereotypes. 
Artists may send/ submit their work to any of the categories below. Closing date for applications to participate in the 10th edition of Athens Video Art Festival: 10th March 2014 (date of postmark). Proposals may be submitted via internet or post. 
For more information please visit the official website of the festival
Proposals for collaborations, tributes, workshops, discussion panels, should be sent by mail under the title Proposal from xxxx (where xxxx: the name of the entity)
more information  and online application here: 

source: http://www.athensvideoartfestival.gr

2013/11/20

The Blue Night Art Competition 2014, Open cal for projects

The Blue Night Art Competition 2014
deadline: 16 December, 2013 (date of postal stamp or email)
1. Topic of Invitation
In 2000, the year after Nuremberg’s 950th anniversary, the first Blue Night invited Nuremberg citizens to see and experience art and culture in an unusual setting and at an unusual time of day. Since then, the Blue Night has become Germany’s biggest and most varied Long Night of Art and Culture, with about 140,000 visitors annually, coming from Nuremberg, the surrounding region, the entire Federal Republic and abroad. On offer are more than 250 performances, exhibitions and installations in over 70 institutions, courtyards, on squares and in the streets of Nuremberg’s Old Town.
The Blue Night Art Competition
Since 2005, with its annual art competition, the Blue Night has offered artists the opportunity to present their works (works and projects from the fields of visual arts, such as light installations, movement/performance, interactive activities, new media etc.) to a larger public for one night (maximum 7 hours) in the participating institutions, in courtyards, in enclosed public spaces, and on squares and streets in Nuremberg’s inner city.
N-ERGIE Audience Award
The N-ERGIE Audience Award, including prize money of 5,000 Euros, will be presented for the fourth time at the 2014 Blue Night. It will honor an art project chosen by the Blue Night visitors.
Important information about the Blue Night and the Blue Night Art Competition
Presentation of art projects during Blue Night differs from that in a museum or gallery. The Blue Night is not a “white cube”: “hanging something on the wall” or “putting something in a room” isn’t appropriate for the Blue Night. So, please, no submissions of paintings or sculptures suitable for a traditional exhibition!
- It should be kept in mind that an art project has to work for six hours (important, for example, for performances which might have to be shown several times). Breaks might be possible, but should be relatively short.
- It should also be taken into consideration in the project design and planning that on 3 May, 2014, the sun does not set until 20:37, so it will only be completely dark after 21:00. Projects which only achieve their full impact in complete darkness will either only be shown to advantage for a very short time, or appropriate measures will have to be taken to ensure darkness (e.g. using rooms without windows or windows with blackout), and this should be taken into consideration in the project concept /design and calculation..
Each year there is a different topic for the Blue Night Art Competition as well as for the entire Blue Night programme. For the Blue Night on 3 May, 2014, the topic is “Longing”.
2. Inviting Body / Organiser
City of Nuremberg Department of Culture /Project Office
3. Type of Competition
The competition is an open art competition. An expert jury (see point 4 below) will select a maximum of 12 artists from the entries by mid-January 2014, to implement their projects in the Blue Night on 3 May, 2014.
4. Jury
Pirko Julia Schröder, artist and competition curator
Jochen Flinzer, Professor of Liberal Arts and Art Education, Faculty Director at the Nuremberg Academy of Visual Arts
Verena Waffek, artist and art communicator
Petra Weigle, Institute of Modern Art
Christian Mückl, cultural editor of the newspaper Nürnberger Zeitung
Andreas Wissen, graduate engineer (University of Applied Sciences) and Lecturer at the Nuremberg Academy of Visual Arts
Manfred Krebs, exhibition technician
Andreas Radlmaier, Christel Paßmann and N.N. (City of Nuremberg Department for Culture, Project Office)
5. Advice/Information about all Competition Issues:
Christel Paßmann (project director Blue Night)
Tel: +49 911 231 68 54
Fax: +49 911 231 20 01
E-Mail: christel.passmann (at) stadt.nuernberg.de

Pirko Julia Schröder (curator)
Tel: +49 171-8131663
E-Mail: pirksch (at) t-online.de
6. Competition Address
Kulturreferat der Stadt Nürnberg
Projektbüro
Christel Paßmann
Hauptmarkt 18
90403 Nürnberg
or by email: blauenacht-kunstwettbewerb (at) gmx.de

7. Obligations of Organizers / Artist
The participants or participating groups selected by the jury will receive a fee of 1000 € each (plus applicable VAT, if they are liable to VAT). The fee covers the entire work/performance by the artist/artists’ group (preparation, implementation, set-up and dismantling, as well as presence during Blue Night).
In addition to the fee, costs incurred in the implementation of the work of art up to a maximum of 3000 Euros (inclusive of VAT) will be reimbursed on receipt of an invoice, and after accounts have been inspected. This sum should be understood to include all costs incurred in the preparation before and presentation during the Blue Night (e.g. technicians, transport, infrastructure, electricity, barriers, set-up assistants, possibly security personnel on site etc.).

NB: Neither fee nor implementation costs will be increased to take account of the number of people involved in the project.

A detailed and reliable budget is a vital element of the entry and must be submitted together with the artistic concept. The same applies to the technical design and planning of the concept.
Any material and personnel costs will only be reimbursed within the agreed budget as stated above and upon presentation of proof of payment (receipts, invoices).

When the competition entry is submitted, it should list any technical costs which a sponsor has committed to cover, over and above the agreed budget to be reimbursed by the organizer as stated above. This list should include both additional finance and sponsorship in kind. Before approaching local or regional sponsors (in Nuremberg or the Nuremberg Metropolitan Region respectively), please contact the organizer.

Sponsors may be issued with a donation receipt (and then claim their donation as tax-deductible advertising costs) or they can conclude a sponsorship contract with the organizer.
Sponsorship (both money and sponsorship in kind) collected by the artist will be added to the project budget.
Sponsorship (both money and sponsorship in kind) collected by the organizer will not be added to the project budget of a particular project, but to the overall Blue Night budget.

Expenses for overnight stays and travel as well as other expenses (excluding food) for the artist (and possibly any assistants) must be included in the implementation budget and in the overall budget. (The City of Nuremberg does not reimburse travel expenses and overnight expenses for third parties). The number of assistants requested by the artist must be justified.
All other expenses beyond this must be borne by the artist.

On request, payment of an advance (maximum 500 Euros) may be paid from the implementation cost budget. If any of this advance is unspent, the artist is obliged to pay it back. Expenditure from the advance must be documented with invoices and receipts.

After the project, the organiser will expect to receive a detailed invoice with original receipts attached as proof of payment and use for the project). The Artist’s Contract between organiser and artist will contain information about the form of the invoice and essential information which the invoice should provide. The artist must present an invoice for the entire fee (1000 Euros, plus VAT, if liable to VAT, see above) and the cost of implementation, including his/her tax number and specifying the amount of VAT paid.

The artist is responsible for setting up and dismantling the work of art / art project. On request, the organizer can provide assistance. The cost of auxiliary personnel (currently 7.88 Euros/hour, plus VAT, if liable for VAT) must be part of the cost calculation. If artists have their own auxiliary staff, the same rate (7.88 €) must apply. The cost of their own personnel must also be included in the calculation.
The art works will be exhibited on 3 May, 2014, in the context of the Blue Night from about 7 p.m. to about 1 a.m. (4 May).
8. The Art Venues
The organizer suggests various sites for competition art works (squares, courtyards and other spaces in Nuremberg’s Old Town). In consultation with the organizers, choice of another venue – in the Old Town – may be possible. It is therefore not mandatory to apply for one of the venues named and described in the following, but a description of the necessary prerequisite conditions for the art project (darkness, size of space, enclosed or open space etc.) is essential.
The organizer reserves the right to allocate selected projects to a different venue from the one named in the entry.At most venues, it is not possible to drill holes into the walls or floors!
10. Submission of Entry / Deadline
Entries, including a carefully calculated budget and information about set-up and dismantling, must be submitted no later than 16 December, 2013 (date of postal stamp or email!).
It is possible to apply for several sites.
Entry portfolios must not exceed A2 format. If objects are submitted, they must not be larger than 30 x 30 x 55 centimeters. Entries in digital form are possible and desirable, but should, however, be a maximum of 10 A4 pages (please note file size!).
Please send your entry to the following address:
by post:
Christel Paßmann
Kulturreferat der Stadt Nürnberg/Projektbüro
Blue Night Art Competition
Hauptmarkt 18
90403 Nürnberg
per email:
blauenacht-kunstwettbewerb (at) gmx.de

Do not use any special characters, capital letters or full stops other than the one before the file format extension. Otherwise files may be eliminated by the spam filter.
Personal delivery of the entry is only possible by appointment with the organizer.
11. Selection Criteria
The selection criteria for the 2014 Blue Night, apart from artistic merit of the concept, include the quality of design, the suitability for specific sites and for the event (while staying within the budget).
12. Announcing the Competition Result
By mid-January, 2104, about 12 projects will be selected for implementation during the 2014 Blue Night on 3 May, 2014, in Nuremberg.
All applicants will receive written information concerning the competition result. In their application, applicants must decide whether they want notification by post or by email.
As a matter of principle, the jury does not give any reasons for its decisions!
13. Ownership and Copyright
The selected works of art remain the property of the respective artist. The organizer reserves the right to ownership of parts of the work of art which are needed in the context of its implementation (e.g. technical elements).
The artist permits the organisers, or photographers commissioned by them, to take photographs of the work of art. These photographs will be used for PR work for the Blue Night and for advertising the event.
There will be a separate contract with all artists selected by the jury, relating to the presentation of their work of art during the 2014 Blue Night. This contract regulates important financial, legal, copyright and organisational matters between the City of Nuremberg and the artists selected for the 2014 Blue Night.
14. Entry Costs
Costs of participating in the tour of arts venues (26.10.2013) and of submitting the entry portfolio will not be reimbursed.
Submitted material will be sent back to artists at their own expense (please include sufficient return postage). If no return postage or insufficient return postage is included, entry materials will not be sent back.
15. Liability
Liability issues will be regulated in the Artist’s Contract.

contacts:
Kulturreferat der Stadt Nürnberg / Projektbüro
Hauptmarkt 18
D-90403 Nürnberg
Telefon: +49 (0) 911/ 2 31 68 54
Fax: +49 911 231 - 2001
E-Mail: christel.passmann@stadt.nuernberg.de
Internet: www.nuernbergkultur.de

Bei Fragen zum Ticket-Vorverkauf:
Kultur Information
Königstraße 93
90403 Nürnberg
Tel.: 0911 / 231 40 00
http://www.blauenacht.nuernberg.de

2013/10/26

Sharjah Art Foundation 2014, Open call for artist grant

Sharjah Art Foundation 2014 Production Programme, Open call for artist grant
Deadline: January 31, 2014

Sharjah Art Foundation announces the 2014 Production Programme Open Call for grants to artists working in a range of media. Up to $200,000 is available in this application cycle.
The Sharjah Art Foundation (SAF) Production Programme broadens the possibilities for the production of art in the MENASA region through a commitment to support innovation and excellence in artistic practice by encouraging risk and experimentation. This commitment places artists at the core of the Foundation’s mission by offering grants and professional support for the realisation of projects selected from an open call for proposals.

The past decade has seen an extraordinary rise in artistic activity throughout the Middle East, resulting in an increased visibility for artists both regionally and internationally. Within this context, the Foundation hopes to promote and encourage an environment of public and private patronage for the highest level of artistic endeavour. This programme focuses on supporting artists in their individual attempts to create work on a scale they have perhaps never imagined possible.

Arts practitioners are invited to propose imaginative, ambitious and inspirational projects that will transform our understanding of what art is and how it can be experienced. With this initiative we hope to engage and challenge the artists, our audiences and ourselves aesthetically, intellectually, emotionally, socially, politically or in ways new and unexpected.

In 2014 we are offering production grants to artists working in a range of media including sculpture, installation, time-based media, artist’s books and performance. Up to a total of $200,000 is available in this application cycle. The success of a proposal will be determined by merit rather than budget. To this end, projects with budgets that range from modest to ambitious scales will be considered. The submission deadline is 31 January 2014 and selections will be announced in March. The selected projects will be developed and produced by the artist and the Sharjah Art Foundation, with presentation of the completed project as agreed between the artist(s) and SAF.

The Production Programme was launched in 2008. Over 500 submissions have been received, 230 applications considered and 31 projects selected for production.

This document should give you all the information you need to know to apply for the 2014 Production Programme.
Please read it carefully before you complete the attached application form.
If you have any further questions, please direct them to productionprogramme@sharjahart.org.

more at: http://www.sharjahart.org/programmes/open-call-production-programme-2014