Showing posts with label 2013. Show all posts
Showing posts with label 2013. Show all posts

2013/10/26

Exquisite Corpse Video Project (ECVP), Ljubljana

Exquisite Corpse Video Project (ECVP)
Screening and talk


Tuesday, October 29, 2013 at 7 pm
Photon Gallery, Trg prekomorskih brigad 1, Ljubljana

About the project
The Exquisite Corpse Video Project (ECVP) is a unique video collaboration among artists from various parts of the world, inspired by the Surrealist creation method, the “Exquisite Corpse”. Using the semi-blind, sequential method of the surrealists’ game, ECVP participants create video art in response to the final seconds of the previous member’s work. Each member is asked to incorporate these seconds into their piece, creating transitions as they please, until everyone’s vision is threaded together into an instigating final “corpse.” Rather than providing a unitary linear narrative, in the project each individual artist interrogates — permeated by the diverse cultural backgrounds — a number of genres, tendencies and strategies, engaging in performative, documental, conceptual and poetic modes of representation, utilizing the characteristics of participatory platforms and new communication technology. The project is coordinated by the Brazilian artist Kika Nicolela since 2008 and has had the participation of over 80 international artists so far, divided in 4 volumes and several videos. The new installment of the project, ECVP Volume 4, is having its world premiere at the Photon Gallery in Ljubljana, and proposes the theme Porn/Politics as a frame for the creation of the videos.

“…I also conclude that this group delineates the digital culture in which we live, a culture no longer fragmented like the post-modern one, but shattered and precarious in regards to the creation of meaning. The Exquisite Corpse Video Project introduces us to this new world, mimicking its intrinsic shattering and precariousness, while simultaneously generating new meanings for the contemporary experience.”
excerpt of essay Digital Blind Date (2009) by Juliana Monachesi


In the sixteenth Video Evening KOLEKTIVA is presenting the international video collages Exquisite Corpse Video Project (ECVP). Join us for the screening and a talk with the iniciator and coordinator of the project Brazilian artist and curator Kika Nicolela and participating artist from Slovenia Pila Rusjan.

The project coordinated by: Kika Nicolela (BR)

Participating: Alexandra Buhl (DK), Alicia Felberbaum (GB), Ana Moravi & Dellani Lima (BR), Anders Weberg (SE), Brad Wise (US), Caroline Breton (FR), Christian Leduc (CA), Gabriel Soucheyre (FR), Jan Hakon Erichsen (NO), John Pirard (BE), Jorge Lozano (CO/CA), Joshua & Zachary Sandler (US), Joy Whalen (US), Kika Nicolela (BR), Lucas Bambozzi (BR), Mads Ljungdahl (DK), Marty McCutcheon (US), Niclas Hallberg (SE), Nung-Hsin Hu (TW), Pedro Reis (PT), Per E. Riksson (SE), Pila Rusjan (SI), Simone Stoll (DE), Sojin Chun (KR/CA), Stina Pehrsdotter (SE), Ulf Kristiansen (NO), Ulysses Castellanos (SV/CA)

Screening list:
ECVP Volume 01, Corpse#8 (2008), 10’23”
ECVP Volume 01, Corpse#9 (2008), 10’15”
ECVP Volume 02, Narratives (2009), 09’57”
ECVP Volume 04, Porn/Politics (2013), 20′
Approximate running time: 50 minutes

Photon Gallery
Centre for Contemporary Photography of Central and South East Europe
Trg prekomorskih brigad 1, 1000 Ljubljana
t: +386 (0)59 977 907
www.photon.si
Opening time: Mon.-Fri.: 12am - 6pm
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Video Evening #16
Production: Photon Gallery
Co-production: Kolektiva Institute, Kika Nicolela & participating artists

Video večer / Video EveningVideo večer / Video Evening is a periodical event organized by Vesna Bukovec and Metka Zupanič from Kolektiva Institute in which we screen video selections prepared by various invited artists, curators, institutions, asociations and festivals.
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2013/09/12

Liquid Assets, curated by Luigi Fassi & Katerina Gregos at Steirischer Herbst festival, Graz

steirischer herbst 2013, Graz ,Austria
Liquid Assets: In the Aftermath of the Transformation of Capital
Curated by Luigi Fassi & Katerina Gregos
duration: September 20–December 1, 2013

Five years after the outbreak of the biggest post-war financial and economic crisis, have we really learned anything? Have we understood the pathologies that can be unleashed by an alliance of liberal democracy and market economy that we came to consider as part of the natural order and without alternative? Have we really understood the financial turn, with all its consequences, its devastating effects for the global economy, but also for democracy and human rights, that dramatic shift from tangible to virtual capital, in which assets, concrete and abstract alike, are created and destroyed in fractions of a second?

Understanding the mechanics of capitalism today has become an increasingly complex task given that it has morphed into forms that are increasingly intangible and immaterial. Money, finance and economics have thus become such abstract, opaque concepts that only a few people can understand them fully. The very concept of the notion of money has changed from being an operative aspect of the economy to something able to justify an increasingly speculative economy where money is being harnessed to produce more money; where money is increasingly being made out of immaterial goods and services, out of itself, out of the bare life of human beings, even out of thin air, it would seem.

The exhibition Liquid Assets: In the Aftermath of the Transformation of Capital explores the changes incurred to the financial system and presents a range of international artists who are engaged in exploring the shifting, viral nature of capitalism. It aims to light on the opacity of finance, the current non-transparency of money, and the causes and practices that lie behind financial crises in the present time. Ranging from time-based practices to sculpture and installations, the works on view—a large part of them especially commissioned and produced by steirischer herbst—bring to the fore the dramatic changes that the entanglements of finance, speculation and politics have been enacting on the social body, affecting both bios and anthropos and simultaneously raising issues about the ethics of capitalism and current financial practices.

Participating artists: Alessandro Balteo Yazbeck (DE/VE) & Media Farzin (US/IR), Eric Baudelaire (FR/US), James Beckett (NL/ZA), Alain Bornain (BE), Danilo Correale (IT), Marianne Flotron (NL/CH), Zachary Formwalt (NL/US), Alexandros Georgiou (GR), Goldin+Senneby (SE), Núria Güell (ES), Jan Peter Hammer (DE), David Harvey (US/GB), Kennedy Browne (IE), Gustav Metzger (GB/DE), Anetta Mona Chisa (RO) & Lucia Tkacova (SK), Oliver Ressler (AT), Salinas & Bergman (US/NO), Visible Solutions (EE), Wooloo (DK)

The catalogue Liquid Assets (Mousse Publishing), with texts by Katerina Gregos, Luigi Fassi, Christian Marazzi and contributions by all participating artists, will be published on September 20.

"Liaisons dangereuses: Alliances, misalliances and false friends," the leitmotif of this year's steirischer herbst festival, looks at connections, relationships and their transformation—in society, art and culture and in both the private sphere and in politics. The complete programme of the festival—further exhibitions, created in co-operation with partner institutions, performances, workshops, lectures et al.—can be found on www.steirischerherbst.at

practical info:
steirischer herbst 2013
Liquid Assets: In the Aftermath of the Transformation of Capital
20/09 - 01/12/ 2013
Curated by Luigi Fassi (AT/IT) & Katerina Gregos (BE/GR)
Ex-Zollamt / Halle
Bahnhofgürtel 57, 8020 Graz / Austria
program: 
Thu 19/09, 11:00 >> Press talk and preview
Fri 20/09, 15:00 >> Press preview with Katerina Gregos & Luigi Fassi /English Language/
Fri 20/09, 16:00 >>Press preview with Luigi Fassi /Italian Language/
Fri 20/09, 17.30 >> Exhibition opening
www.steirischerherbst.at

Andrea Galvani & Mathias Kessler at Y gallery, New York

"In Cold Blood" by Andrea Galvani & Mathias Kessler 
Y gallery, New York >>September 11–October 8, 2013
Curated by Cecilia Jurado


Andrea Galvani; Higgs Ocean #7; C-Print mounted on aluminum dibond. 39.4 x 57.52 inches framed; Edition of 5 + 3 AP;Courtesy of the artist and Y Gallery New York

Y Gallery presents "In Cold Blood"  a selection of works by Italian artist, 
Andrea Galvani, and Austrian artist, Mathias Kessler curated by Cecilia Jurado. The two artists have traveled to the coldest confines of the planet where they confronted the overwhelming grandiosity of nature. For instance, by illuminating large parts of icy landscapes, they tried to conquer an otherwise unreachable place. Only to reveal how a journey as ambitious as these can solely manifest extraordinary attempts through 
significant works. Galvani has used photography for his project. We witness an existentialist trip charged with loneliness and fascination by discovery. Kessler has chosen digital renderings, photography and a mirror that melts and freezes while the spectator sees his/her image being reflected. This last work, the mirror, could synthesize the nerve of the exhibition. The seeking of truth in the vain of explorers of the past could 
be an introspective trip to unknown sides of our human condition. In his Higgs Ocean series, Galvani programmed an excursion executed off the coast of the Svalbard Islands in the Arctic Circle. The project was developed with the assistance of a team of New York-based, Russian engineers over the course of a four-month period. Solar photovoltaic modules were used to collect the daily dosage of light energy 
produced by the sun over a 2,800 km sail. The amassed electricity was then used to power a flashlight generating a beam of light over 200,000 ANSI lumens, with strength enough to break through earth’s atmosphere. The unimpeded light will travel infinitely in space, and thus, in the words of Galvani, “the luminescent memory of the journey had been returned to the universe.”
Mathias Kessler’s project entitled, Islands of Time, entailed the artist’s travels to IIulissat, Greenland where the Jackobshaven Glacier meets water level, emerging as an archipelago of icebergs. Kessler photographed the quintessential landscape exposing the duality between our quest for the taintless environment and tarnish as a denouement of its discovery. The Sea of Ice is a 3D photorealistic rendering of a painting by the 
German-Romantic artist, Caspar David Friedrich. In relation to Kessler’s breadth of work and the historical parameters surrounding Friedrich’s painting, the context of this digitally conceived rendering questions the principles of a painting in times of cybernated manipulation and how fantasy can become reality via photographic representation. It Will Blow Over (Worldview of the Arctic) provides viewers with an increased corporeal association with the sensational elements experienced by the artist and his team while 
pursuing these projects. As the mirror continuously cycles through the process of melting and freezing at -22°F, the unbridled, crystallized patterns progressively evolve, similar to the never-ending changes in life, intrinsic to life’s nature.

Y Gallery
165 Orchard Street
New York, NY 11370
New York
T: +1 917 721 4539

MISS READ: The Berlin Art Book Fair

MISS READ: The Berlin Art Book Fair 
19–22 September 2013

MISS READ 2013 opens on the 19th of September and brings together for the fifth year protagonists of international contemporary art book publishing.

Books are an important medium to embody and disseminate ideas, and artists use the book form to elaborate visual stories, generate archives, depict collections, present research results, or even practice book piracy. When artists, authors, and designers collaborate on books, results are often complex and enable new perspectives. At best, an "artist's book" is an artwork in its own right.

The 100+ participants include:
[ 2nd floor projects ], San Francisco | AKV, Berlin | Anagram Books, London | AND Publishing, London | Apparent Extent, Cologne | Archive Books, Berlin | argobooks, Berlin | Art Paper Editions, Ghent | Artlink Australia, Adelaide | ATLAS Projectos, Lisboa | August Verlag, Berlin | Bartleby & Co., Brussels | B/B Multiples & PlanBey, Berlin/Beirut | blisterZine, Ravenna | Boabooks, Geneva | Boekie Woekie, Amsterdam | BOM DIA BOA TARDE BOA NOITE, Berlin | Book Storage, Tokyo | Book Works, London | Brad Downey, Berlin | Broken Dimanche Press, Berlin | büro für film und gestaltung, Berlin | Cabinet, Brooklyn | Camera Austria, Graz | CasCo – Office for Art, Design and Theory, Utrecht | Crux Desperationis/Gegen, Montevideo | Der Wedding, Berlin | dienacht Magazine + Publishing, Leipzig | Edition Fink, Zürich | Edition Taube, Stuttgart | edition.nord, Niigata | Edizioni Periferia, Lucerne | e-flux journal, New York | Fluens Forlag, New York | frieze, Berlin/London | From Me To You Publications, Antwerp | FUKT, Berlin | GAGARIN, Antwerp | Gloria Glitzer, Berlin | Grazer Kunstverein, Graz | Half Letter Press/Temporary Services, Chicago/Copenhagen/Philadelphia | Hank Schmidt in der Beek, Berlin | Heidi Specker, Berlin | Infinite Greyscale, Berlin | information as material, Old York | INNEN/Zug Magazine, Budapest | Kerber Verlag, Bielefeld | Kunstverein Publishing, Amsterdam | LemonMelon, London | Little & Large Editions, Berlin | Lubok Verlag, Leipzig | Merve, Berlin | Michael Baers & Friends, Berlin | Michalis Pichler/„greatest hits“, Berlin | mono.kultur, Berlin | Mousse Publishing, Milan | no press/Derek Beaulieu, Calgary | Occulto, Berlin | OEI magazine/OEI editör, Stockholm | OMMU, Athens | Otras Obras, Tijuana | Quick Magazine, Berlin | PogoBooks, Berlin | possible books, Berlin | rakete.co_E.Steinbrecher/S.Müller, Berlin | Raum für Publikation/Muthesius Kunsthochschule, Kiel | Re:Surgo!, Berlin | Red Sphinx, London | Revolver Publishing, Berlin | Scriptings/Achim Lengerer, Berlin | Sergej Vutuc, Heilbronn | Space Poetry, Copenhagen | Spector Books, Leipzig | Spike Art Quarterly, Vienna | springerin, Vienna | Starship, Berlin | Sternberg Press, Berlin | Susanne Bürner, Berlin | Texte zur Kunst, Berlin | THE GREEN BOX, Berlin | The Vanity Press, London | Ugly Duckling Presse, Brooklyn | von100, Berlin | Westphalie, Vienna | Wien Lukatsch, Berlin | Witte de With Center for Contemporary Art, Rotterdam | Wordpharmacy, Copenhagen | X Marks the Bökship, London | ztscrpt, Berlin/Vienna | and many more

MISS READ will be hosted by abc – art berlin contemporary for the second year, after taking place at KW Institute for Contemporary Art for the previous three years.

In addition, a series of talks, panel discussions, and presentations will explore the cutting edge of art publishing today. MISS READ STAGE will feature numerous lectures, performances, talks, and book launches by AA Bronson, Eleanor Brown, Rike Frank, Cecilia Grönlund, John Holten, Marysia Lewandowska, Sarah Pierce, Laurel Ptak, Martha Rosler, Pelin Tan, Tony White, and others.

The poster and logo for MISS READ 2013 were created by Lawrence Weiner.

MISS READ: The Berlin Art Book Fair is organized by argobooks, Michalis Pichler, and KW Institute for Contemporary Art..

@  abc – art berlin contemporary
Station Berlin, Luckenwalder Strasse 4-6
10963, Berlin,Germany
Hours: 
Thursday, 19 September, preview noon–4pm, opening 4–9pm
Friday, 20 September, noon–7pm
Saturday, 21 September, noon–7pm
Sunday, 22 September, noon–7pm
Admission to MISS READ is free
www.missread.com

Klara Lidén at Museion in Bolzano, Italy

Klara Lidén " Invalidenstraße" at  Museon Bolzano, Italy
Curated by Letizia Ragaglia
Duration of the exhibition: 14/09/13 – 12/01/13
Opening 7 pm, 13/09/2013. The artist will be present.
The exhibition will take place under the patronage of the Swedish Embassy in Rome.

Klara Lidén, "Untitled (Down)," 2011. Inkjet print,62 x 47 cm. Courtesy the artist and Galerie Neu, Berlin

Museion presents Klara Lidén’s first solo exhibition in Italy. Born in Stockholm in 1979, the artist has had solo shows in prestigious institutions like the New Museum in New York (2012), the Serpentine Gallery in London (2010) and the Moderna Museet in Stockholm (2007). In 2009 she represented Sweden at the 53rd Venice Biennale, also receiving a special mention from that institution in 2011.
In video works, installations and performances Lidén explores the physical, psychological and social limits and conventions of public and private spaces. Key themes in her works include the street, as an endless source of inspiration and action, an obsession with recycling and transforming urban materials, and physical gesture using the body: themes which underpin pieces that are both intimately personal and unexpectedly dramatic, angry and intelligent at the same time.
At Museion Lidén presents a number of new pieces, including a large installation created for the fourth floor of the museum which literally brings the street into the venue: a disconcerting landscape of sculptures fashioned from real asphalt. Installations, photographs and videos capture actions and performances in which Lidén herself takes centre stage, often in a grotesque, paradoxical way – we see her moon-walking in New York at night, or going down into a drain, or scaling a traffic light. Other videos feature private space as a backdrop for scenes of domestic violence, where the artist smashes up a bicycle or punches herself.
 “Museion has been working to foster engagement with sculpture for several years now, highlighting the radical changes undergone by this medium in recent times. Alongside this it is also committed to presenting the work of emerging artists, with special attention to female artists, and Klara Lidén brings these three strands of Museion’s work together”, explains Letizia Ragaglia, director of Museion

Related events: guided tour of the exhibition with MUSEION director Letizia Ragaglia at 11am on Saturday 5 October as part of the programme of the national Contemporary Art Day. A concert will take place following the tour with musician Caroline Mayrhofer, inspired by the works on show.

 practical info:
Opening times: Tuesday to Sunday 10 am – 6 pm
Thursday 10 am – 10 pm with free admission from 6 pm to 10 pm
and free guided tour at 7 pm. Closed Mondays.
Admission: full price € 6, concession  € 3.50.

Museion, 
Via Dante 6 Bolzano Italy
www.museion.it

Museion Press Office Contact
caterina.longo@museion.it

2013/08/25

BRUSSELS CREATIVE FORUM 2013

BRUSSELS CREATIVE FORUM 2013
The biggest forum is bringing the players in culture and the creative sectors together for the first time.
From 30 August to 1 September all stakeholders from culture, creative industries and pubic events in a fair where participants will present their respective program for the season and their activities,based in .Place des Palais  in the  center of Brussels.
The BRUSSELS CREATIVE FORUM will offer professionals an excellent opportunity to meet each other and share their best practices. It will create an environment that will stimulate dialogue and the sharing of experiences, with a view to developing economic activity based on culture and creativity.
Over the course of two days, a knowledge exchange programme will be organised with  professionals from the worlds of culture, creativity and urban life. The goal is to bring together local and international professionals and raise the profile of initiatives, innovations and actions.



CREATIVE INITIATIVES>> Program by days
30/08->Place des Palais
11 : 00 - Conservamus (Gerald de Hemptinne)
11 : 25 - Bureau de Liaison Bruxelles-Europe (BLBE) / Verbindingsbureau Brussel-Europa / Brussels-Europe Liaison Office (Patrick Struelens - Carlo Luyckx - Emmanuelle Vincent - Thy Truong Minh - Rebecca Shelley – Nathalie San Gil Coello – Mansia Abel – Jospehate Bawai)
12 : 40 - Association Culturelle et Artistique d'Uccle asbl (Jacqueline Rousseaux)
13 : 05 - Administration communale de Saint-Josse / Gemeentebestuur van Sint-Joost-ten-Node
(Charlène Six & Murielle Deleu)
13 : 30 - Maison des Cultures et de la Cohésion Sociale de Molenbeek-Saint-Jean / Huis van Culturen en Sociale Samenhang van Sint-Jans-Molenbeek (Eve Deroover)
13 : 55 - Arts & Publics (Jacques Remacle)
14 : 20 - Tout asbl (Paul Gonze)
14 : 45 - Journées du Patrimoine / Open Monumentendagen in Brussel / Heritage Days in Brussels
(Brigitte Vander Brugghen & Paula Dumont)
15 : 10 - Mondaneum (Vianney Forgeois)
15 : 35 Agence de Développement Territorial asbl / Agentschap voor Territoriale Ontwikkeling vwz
(Louise Richard)
16 : 00 - Poseco (Thierry Vandebroek)
16 : 25 - Café Numérique (Gaetan Dhont & Sabrina Bakalli)
16 : 50 - Marcolini (Pierre Marcolini)
17 : 15 - KissKissBankBank (Edouard Meier)
17 : 40 - Tricoterie asbl & VERTIGE asbl (Charles-Henry Boland)
18 : 05 - Théâtre 140 (Jo Dekmine & Astrid Van Impe)
18 : 35 - Théâtre National (Jean-Louis Colinet)
19 : 05 - Théâtre du Parc (Thierry Debroux)
19 : 35 - Le Réseau des Arts à Bruxelles (RAB) & het Brussels Kunstenoverleg (BKO) (Sophie Alexandre)
20 : 05 - Matters Collective asbl (Augustin de Bellefroid)
BIP (Salle des guichets)
16 : 30 - Brussels Academy (Geert Cochez)
16 : 55 - Platform Kanal (Wim Embrechts)
31/08->Place des Palais
11 : 00 - Atomium (Arnaud Bozzini & Axel Addington)
11 : 25 - L’iselp (Eric Van Essche & Laurent Courtens)
11 : 50 - Voir & Dire Bruxelles (Sophie Godts)
12 : 15 - The Egg (Alain Heureux)
12 : 40 - Tempora (Benoît Remiche)
13 : 05 - Les Halles de Schaerbeek (Christophe Galent)
13 : 30 - ACT asbl (Yves Martin)
13 : 55 - ART2WORK (Nadia Flagothier)
14 : 20 – Défilé Les Petits Riens/Spullenhulp (VO Event) (Michel Culot & Samira Amor)
14 : 45 - Maison du conte (Corinne Pire)
15 : 10 - Récup Art (Pilato Maria Adriana)
15 : 35 - Artwigo (Carole de Vleeschouwer)
16 : 00 - Target’Art (Alexandra Romer, Daphné Delouya, Olivier Waedemon & Sacha Waedemon)
16 : 25 - Les machins (Anne Kennes & Catherine Detry)
16 : 50 - Brussels Tourism Jobs (Didier Fierens & Françoise Meurice)
17 : 15 - Mouvement des Initiatives de Transitions (Fabian Féraux)
17 : 40 – Des Rêves Plein le Monde/Reporters d’Espoirs (Véronique van der Wielen, Pierre-Loïc Nihoul, Gilles Vanvolsem)
BIP (Salle Zinneke)
16 : 25 - Faculté d'architecture de l’ULB "La Cambre-Horta" (Roxanne Enescu)
PechaKucha Night Brussels Vol. 29
30 Aug. 2013, at 20:20 at BIP, with Brussels Creative Forum - More info:
Debats program / Discussions will be developed on a range of themes:
30 August Friday
• Cultural policies in Europe > Fri 30.08 – 11am > 12.30pm 
Coordination: Bénédicte de Brouwer (Cultural Representative for Wallonia-Brussels) and Gudrun Heymans (Cultural Representative for Flanders)
This discussion will help us understand the current changes we are experiencing, the opportunities offered by the future ‘Creative Europe’ programme, and the importance of cultural cooperation in Europe. The session will end with an open debate.
The Cultural Representatives for Flanders and Wallonia-Brussels are the national points of contact for information and support for cultural cooperation between the European Commission and Belgian professionals. As of 2014, these representatives will be responsible for Creative Europe, when it will take on the new name of the ‘Creative Europe Desk’.
Participants:
Pascal Brunet, Director of Relais Culture Europe
Paul Dujardin, CEO & Artistic Director of BOZAR
Emilie Wacker, Théâtre National Villes en scène/Cities on stage
Julia Pouply, Head of political questions at Culture Action Europe
Gudrun Heymans, Cultural Representative for Flanders
Bénédicte de Brouwer, Cultural Representative for Wallonia-Brussels
• Local culture > Fri 30.08 – 11am > 12.30pm  
Coordination: Centres Culturels bruxellois
Any cultural policy implemented at city, town or regional level, requires reflection on everyone’s contribution to the services offered by different parties in these areas. The ‘Centres Culturels bruxellois’ play a very specific role in this thought process, as everything they do is more geared towards raising awareness and offering better access to Culture, a fundamental right of every citizen. How do they work? What roots can they lay down to make it easier for people to exercise this right? What role do they play in the Brussels urban landscape? These are just some of the questions that the ‘Centres Culturels bruxellois’ will be attempting to answer.
The ‘Centres Culturels bruxellois’ are a network of 12 Cultural Centres recognised (or in the process of being recognised) by the Wallonia-Brussels Federation. Their role includes encouraging and nurturing relationships between local organisations and its members throughout Brussels. This involves creating platforms for debate for the Brussels sociocultural sector on issues relating to the challenges of offering local culture.
Participants:
Emir Kir, Mayor of Saint-Josse-ten-Noode
Martin Smets, Director of Espace Senghor
Frédéric Fourmes, Director of Forest Cultural Center
Thomas Prédour, Director of La Vénerie
Christelle Brül, Coordinator at Culture & Démocratie
Luc Carton, Inspector at Fédération Wallonie Bruxelles
• Investment, patronage, sponsorship and crowdfunding > Fri 30.08 – 2.30pm > 4.30pm
Coordination: Michel Nétens (Prométhéa)
Prométhéa is an association dedicated to promoting and developing corporate sponsorship in Belgium, founded in 1985. It is coordinating the discussion entitled ‘Investment, Patronage, Sponsorship and Crowdfunding, what does the future hold for cultural funding in our country’ for the Brussels Creative Forum 2013. This discussion will look at new economic governance models for the cultural and creative sectors. The current economic challenges we face are driving us to come up with an approach to funding culture that will fit in with a changing world. This event will offer an opportunity to find out about and discuss concepts as wide-ranging and important as investment, tax shelters, private and corporate patronage, sponsorship and crowdsourcing.
Participants: 
Michel Nétens, CEO of Promethea
Virginie Civrais, Managing director of St'art Invest
Isabelle Molhant, Chief Executive Officer, Casa Kafka Pictures
Bernard de Launoit, President of Chapelle Musicale Reine Elisabeth
Dominique Allard, Director of Fondation Roi Beaudouin
Jean-Pierre Smyers, Cultural Attaché at Belfius
Edouard Meier, KissKissBankBank Representative Benelux
Chiara FAINI, Coordinator Brussels-Capital Region, Smartbe
• Image and profile of Brussels > Fri 30.08 – 2.30pm > 4.30pm
Coordination: Patrick Bontinck (VISITBRUSSELS)
How can we raise the profile of Brussels? How can we promote the city and its image to the outside world? These are the questions that this event will attempt to tackle.
Patrick Bontinck is the CEO of VISITBRUSSELS, the organisation responsible for promoting the Brussels-Capital Region and raising Brussels’ cultural, tourism and economic profile. VISITBRUSSELS organises public events throughout the region, including theme years, the Comic Festival, Fête de l’Iris/Irisfeest, eat! BRUSSELS and many more, as well as promoting Brussels as a candidate for organising conferences, competitions and international events.
Participants :
Olivier Willocx, Managing director of Brussels Entreprises Commerce and Industry
Alessandro Cortese, President of European Society of Association Executives      
Rodolphe Van Weyenbergh, General Secretary of the Brussels Hotels Association
Pierre-Paul Vander Sande, Communication & Media Strategy, Advertising arts sprl
Gilles Ledure, Director of Flagey
31 August Saturday
• Professional integration > Sat 31.08 – 11am > 12.30pm
Coordination: Denis Stokkink (European Think Tank ‘Pour la Solidarité’)
Culture creates all sorts of jobs and qualifications: its role in social and professional integration is not in any doubt. But how can we offer training in the creative and cultural professions? What initiatives does Brussels offer to help a large number of jobseekers to join the job market through this sector? And in practical terms, how should we structure policies that encompass culture, training, social economy and inclusion?
This round table event will attempt to answer these questions by looking at the personal experiences of different people who have been affected by these challenges.
Pour la Solidarité (PLS) provides services for socio-economic and political stakeholders who are keen to operate in a professional manner on the European solidarity stage. Pour la Solidarité works closely with European institutions to cater to the needs of solidarity stakeholders in Europe. They are keen to play an active role in putting together long-term public policies, increasing companies’ interest in their corporate social responsibility, promoting the social economy and encouraging members of the public to get involved in the decision-making process to face up to the many emerging challenges and help to build a Europe that espouses solidarity and social cohesion.
Participants: 
Denis Stokkink, Director of Think Tank européen Pour la Solidarité
Lamia Mechbal, Coordinator at Concertation des centres culturels bruxellois
Roberto Cordova et Denis Saintghislain, Régie mobile de la Culture
Gaëtan Vandeplas, In charge of project development, Artist project/iles asbl
Patrick Lalieux & Stéphanie Melkebeke, Rock the City
Sandrino Graceffa, Director of SMartFr
Representative of FeBISP (Fédération bruxelloise des organismes d'insertion socioprofessionnelle)
• Cultural and creative industries > Sat 31.08 – 11am > 12.30pm
Coordination: Alok Nandi (Klabfab)
This session is designed to explore practices connected to the cultural and creative industries in different parts of the world in order to give us an overview to help us contribute to a roadmap for the creative and cultural industries in Brussels. Examples and case studies will feed into a reflection process looking at the complex dimensions of these sectors that straddle a number of different economies.
Alok Nandi, the panel’s moderator, will be bringing his multidisciplinary expertise in design (coCreationcamp, Interaction Design IxD14 Amsterdam), new media (Casterman, Flammarion), marketing (Procter & Gamble), film production and events (PechaKucha, Post-Flux and many more). He is the creative director of Architempo and launched Klabfab, knowledge lab*fab, to explore hybrid innovation possibilities in complex contexts.
Participants: 
Anton Van Assche, Unizo, Secretariat, Cultural & creative Industries Platform Brussels
Julie Brunel, Commercial Strategy for Creatives
Christophe Galent, Director of Halles de Schaerbeek
Steven Hearn, President of Scintllo (Le Troisième Pôle, Gaîté Lyrique, Créatis, Galeries)
Edouard Meier, Managing Director at Les Galeries
Dieter Van Den Storm, BOZAR coordinator creative industry
Kate Stockman, Creative strategist and trend feeler
Henri Monceau, Head of Cabinet of Mr Jean-Claude Marcourt, in charge of innovation & new technologies / responsible for Creative Wallonia

• Architecture and urban planning > Sat 31.08 – 2.30pm > 4.30pm
Coordination: Christophe Emma-Dessouroux (Archi Urbain)
Do architecture and urban planning play a cultural role in cities? Is there a place for interaction between culture and architecture? What would urban planning be without culture? To answer these questions and look at how culture and architecture can work together, Mister Emma (Archi Urbain) has invited a number of guests to debate the issues.
Emma C. Dessouroux produces and presents Archi Urbain on Télé-Bruxelles. Broadcast for the last seven years, with more than 250 reports lasting 12 minutes each, this programme has become must-see TV for anyone involved in architecture and urban planning in Brussels.
Emma C. Dessouroux has become a pioneer of online videos, thanks to the cultural information website misteremma.com, which he launched in 2003.
Participants:
Petra Pfermenges, Founder, Alive Architecture
Henri Simons, Recyclart asbl
Jean-Marc Sterno, Faculty of Architecture ULB
Geoffroy Coomans de Brachène, Alderman for Town Planning and Heritage.
Luc Deleuze, Architect - Senior Partner, Art & Build
Pierre Blondel, Pierre Blondel architectes sprl
Denis Meyers, Urban artist
• Audiovisual material and the media > Sat 31.08 – 2.30pm > 4.30pm
 Coordination: Noel Magis (Bruxellimage)
For several years, the intrinsic competitiveness of the film and audiovisual industries (know-how, creativity, innovation, cost etc.) has not necessarily been a key factor when it comes to producers’ choices. This competitiveness has often taken SMEs to neighbouring regions, particularly through the famous regional audiovisual investment funds.
After all, Brussels’ audiovisual sector boasts a huge array of advantages, including the presence of major television channels, leading media groups and an established core of communication agencies. The recent announcement about the creation of a media city in the Reyers district by 2020, along with the launch of a policy supporting audiovisual companies, offer great hope for the prospect of raising awareness about the need to support an industry that provides 5,000 jobs in the Brussels region. This event offers audiovisual professionals working in Brussels the chance to share their opinions with each other to work together to restore the competitive edge of local audiovisual companies.
Noël Magis has been in charge of Bruxellimage since November 2010. His role mainly involves defining, establishing and promoting the services offered by Brussels-based businesses in the audiovisual sector as a whole and, more specifically, those involved in film. He is also the author of a study of the film industry in the Brussels-Capital Region.
Participants :
Juan Bossicard, ICT Business Unit Manager ABE-BAO
Noël Magis, Bruxellimage
Thierry Dubois, President of UB&BV
Ruben Goots, Executive Producer Caviar Films
Bart Van Langendonck, Founder & Producer, Savage film
Sylvain Goldberg, Belgian Film Producer Association - Producer
Patrick Quinet, Union des Producteurs de Films Francophones - Producer
Patrick Paulo, Producer, TV Media Res
Eric Russon, Journalist
Serge de Poucques, Producer & President of Anim.be
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Le BRUSSELS CREATIVE FORUM  is by the initiative of BAPEO,the organizers are Visitbrussels and Prométhéa with collaboration with Fondation pour les Arts et Architempo.
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more in info in ww.beculture.be

BOB VAN REETH: TALKS >>BRUSSELS

BOB VAN REETH: ARCHITECT
BOZAR ARCHITECTURE and A+ pay tribute to the famous Belgian architect bOb Van Reeth, who will be 70 this year, in a retrospective exhibition about his work. Visitors will have just few more days to discovered the secrets of some seventy projects and achievements, via sketches, plans, photographs, documents, models and films. The curators, Bart Verschaffel and Christophe Van Gerrewey, invite you to follow the extraordinary career of this great architect - the chronology of which they have reversed, starting with his most recent projects (the Holocaust museum in Mechelen, the abbey of Westvleteren, the King Baudouin Stadium, etc.) and ending with his first student projects.The exhibition runs until 8th September.
On Sunday, 1st September in the context of  exhibition  will be open meeting and talk with BOB VAN REETH.
Holocaust museum - Kazerne Dossin, Mechelen (c) Stijn Bollaert;

BOB VAN REETH: TALKS >>BRUSSELS
when:
SUNDAY 01.09.2013 15:00
where:
BOZAR ARCHITECTURE, Centre for fine Arts, Rue Ravenstein 23, 1000 Brussels
www.bozar.be
The exhibition and collateral events are Co-production: BOZAR ARCHITECTURE  with A+Belgisch tijdschrift voor architectuur

See more at:

Basak Senova -the curator of Helsinki Photography Biennial 2014

Basak Senova  was appointed for a curator of Helsinki Photography Biennial  ( 27 March - 4 May 2014)

Helsinki Photography Biennial is a series of events on photo/lens-based contemporary art, organized every two years in the spring by Union of Artist Photographers in Finland. HPB14 is produced by Union of Artist Photographers / Photographic Gallery Hippolyte in collaboration with The Finnish Museum of Photography.

Basak Senova is a curator and designer based in Istanbul. She has been writing on art, technology and media, initiating and developing projects and curating exhibitions since 1995. Senova studied Literature and Graphic Design (MFA in Graphic Design and Ph.D. in Art, Design and Architecture at Bilkent University) and attended the 7th Curatorial Training Programme of Stichting De Appel, Amsterdam.She was the curator of the Pavilion of Turkey at the 53rd Venice Biennale (2009). She lectured as assistant professor at the Faculty of Communication, Kadir Has University, Istanbul (2006-2010) and is now teaching at Koç University. Currently, she co-curates UNCOVERED (2010–2013) project in Cyprus with Pavlina Paraskevaidou and the 2nd Biennial of Contemporary Art, D-0 ARK Underground (2013) in Bosnia and Herzegovina with Branko Franceschi.
For HPB14, Basak Senova addresses the theme of Ecological Fallacy. In statistics, ecological fallacy describes errors due to performing analyses on aggregate data when trying to reach conclusions on the individual units. Errors occur in part from spatial aggregation. In this context, the biennial would like to investigate fallacies of ecological knowledge. Therefore, the biennial seeks correlated artistic approaches and perspectives as a way of producing and processing evident critical, social and cultural discourses on these fallacies. Throughout the course of this process, archives will be the essential tool of the biennial. In this way, HPB14 will foster collaborative connections between ecological data and photography-based archives.
Furthermore, Basak Senova has invited Branko Franceschi (Zagreb) to co-curate a special section for the biennial.

HPB14 publishes the preliminary program and names of participating artists in December 2013 on www.hpb.fi

2013/08/22

Louise Bourgeois "Alone And Together">>Faurschou Foundation Denmark

Louise Bourgeois
Alone And Together
6 September 2013–14 February 2014


Faurschou Foundation presented the exhibition Louise Bourgeois: Alone and Together, curated by Jerry Gorovoy, who was Bourgeois's assistant for close to 30 years. This exhibition was originally shown to acclaim at the Foundation's space in Beijing earlier this year. The title Alone and Together is taken from a diptych gouache that Bourgeois made in 2007 that deals with the feelings of existential loneliness and the complex emotions that emanate from the dialogue with the Other. This retrospective exhibition, which has works from various decades of Bourgeois's career, explores the themes of loneliness, identity, sexuality, birth, family and motherhood.

Louise Bourgeois (1911–2010) is recognized as one of the most respected artists of our time. She was born in Paris and moved to New York in 1938 when she married the American art historian Robert Goldwater. They raised three sons. She lived and worked in New York until her death in 2010. Bourgeois came to wide recognition with her retrospective at the Museum of Modern Art in 1982, and since that time has exhibited in major museums all over the world.

Her influential body of work, produced over seven decades, in a wide range of materials and scale, has exerted a major influence on contemporary art, and has contributed to our knowledge of the fields of psychoanalysis and feminism. Her autobiographical and symbolic art reveals the complex and ambivalent emotions of being in the world. In her large aluminum hanging sculpture The Couple we see attempts of affection and intimacy, as well as the expressions of dependency and the futility of being fully understood by another.

The exhibition also includes the large, aggressive Crouching Spider. Bourgeois identifies the motif of the spider with her mother, who was a tapestry restorer and provided one of the most significant relationships of her life. Like the spider that continually weaves its web, Bourgeois is compelled to give form to her memories, emotions and corresponding bodily sensations.

A catalogue will be published in connection with the exhibition.

Faurschou Foundation
Faurschou Foundation consists of two privately funded exhibition spaces open to the public in Beijing and Copenhagen, established by Luise and Jens Faurschou. For 27 years they have mounted exhibitions of internationally acclaimed artists both in Denmark and abroad. With passion and an eye for quality Luise and Jens Faurschou uncompromisingly pursue their ambition to present highly esteemed contemporary art to the public. With confidence in and commitment to the artists chosen, they develop their art collection. Their collection is now partly accessible at the two exhibition spaces, where they curate exhibitions in collaboration with some of the world's best artists, curators, museums and galleries.
Admission to the exhibitions is free.


Faurschou Foundation
Klubiensvej 11
2150 Nordhavn
Denmark
Hours: Tuesday–Friday 11am–5pm

T +45 33 91 41 31
www.faurschou.com

Checkpoint Helsinki>>We are Open! -seminar

International seminar in the Museum of Contemporary Art Kiasma, Helsinki
We are Open! -seminar

Organising openness in artistic, curatorial and institutional practices

29th–30th August 2013

Checkpoint Helsinki and Museum of Contemporary Art Kiasma organise a two-day seminar to explore the concept and practices of openness in producing and mediating contemporary art. Openness is a central concept according to which Checkpoint Helsinki, Kiasma and many other organisations function and is frequently used to describe how we should relate to each other. We are Open! -seminar will provide ideas about how openness can be applied in the work of artists, curators and institutions.

The invited speakers are:
Aaron Levy (director, Slought Foundation, Philadelphia, USA)
Juha Huuskonen (independent curator, Helsinki)
Can Gülcü and Katharina Morawek (directors, artistic and executive team, Shedhalle, Zürich)
Matteo Lucchetti (independent curator, Brussels)
Oliver Marchart (political and cultural theorist, Vienna)
Dana Yahalomi (artist, Public Movement, Tel Aviv)
Ganzeer (artist, Egypt, part of On the Move: Political Strategies in Art programme of HIAP)

On Thursday the 29th of August the invited artists and curators present their talks in three thematic sessions. The topic of openness is discussed within the frameworks of knowledge production, curating, collaborative working methods, public space and audience. Opening speech will be at 10:30 and the programme at Kiasma will finish at 17:00. After the talks everyone is invited to a casual evening gathering at 19:00 in Gallery Augusta (Suomenlinna).

On the second day, Friday the 30th of August, the audience and the speakers have a possibility to delve into the themes of the first day in the form of a facilitated open space workshop and find ways to apply the topics of the first day to their own practices and needs. The workshop will start at 10:00 and finish at 16:00. In June 2012 Checkpoint Helsinki organised a previous open space workshop, where more than a hundred art professionals discussed the needs of the art field and the activities of Checkpoint Helsinki. Checkpoint Helsinki aims to continue working as a platform for artists, curators and other art professionals to discuss and network.

The seminar is free of charge, but the seating is limited. Enrolment by 22nd of August and further information: coordinator Laura Kokkonen, seminar@checkpointhelsinki.fi, tel. +358 40 480 4366.

Facebook event: https://www.facebook.com/events/509029362499726/

Checkpoint Helsinki is a new, non-profit art organisation that commissions and produces artworks and projects by emerging international artists. We are Open! seminar, organised in collaboration with Museum of Contemporary Art Kiasma, is part of the pilot year programme of Checkpoint Helsinki. Checkpoint Helsinki's first commission is titled Chimney Project and it can be seen in the city space during the Helsinki Festival, during the last week of August.

2013/02/06

ART ROTTERDAM 2013



*2012 - Pieterjan Ginckels - HUMAN DISCO BONG - Photo Romy Finke
Over the past years Art Rotterdam, founded in 2000, has developed into an internationally renowned platform for contemporary art. The fair, that will present more than ninety well-known
as well as upcoming galleries from home and abroad, shows the latest developments within 
contemporary art. This edition Art Rotterdam expands with a fair for video art and film: Art 
Rotterdam Projections. In Las Palmas, directly opposite the Cruise Terminal, twenty international 
galleries present  a video or a film by a talented young or more well-known artist. The 2013 edition 
further includes, like last year, the New Art Section; fifteen exciting solo exhibitions by young 
artists that are put on the stage by the newest generation of galleries.


From Thursday 7 - Sunday 
10 February 2013 the Wilhelminapier in Rotterdam is the stage of the international art scene.

Focused artist: Pieterjan Ginckels with Human Disco Bong


At Art Rotterdam Human Disco Bong by Pieterjan Ginckels is on show at the central staircase.
Human Disco Bong is an installation of hundred twenty bicycle helmets with tens of thousands of
mirror pieces sticked on and made to one large organic object. Ginckels, a young Belgian artist,
creates, with a sense of humor as well as seriousness, an intelligent oeuvre that plays with the
elements of its time: internet, spam, electronic music, fixed gear bikes and slow coffee. ‘Families’ of works, as he calls it; multi layered- installations with strong interactive aspects that function as a
generator for metaphors in sound and image. At set times Human Disco Bong comes alive. When
wearing the helmets, individual tracks of artists, gallery holders and visitors are highlighted.
'Verwoest Huis Bloemhof' by Marjan Teeuwen
Visual artist Marjan Teeuwen (1953) creates ‘destroyed houses’, architectural installations in
buildings that later are demolished. Teeuwen realized the installation ‘Verwoest Huis Bloemhof’ in
Rotterdam in five empty 4-room houses from Woonstad Rotterdam, on the Putsebocht. For a single photo or film, Teeuwen breaks, demolishes, saws and rebuilds for months on end until a whole new architectural installation is created. During Art Rotterdam ‘Verwoest Huis Bloemhof’ can be visited free of charge.
Every 30 minutes a complimentary shuttle bus is available between Art Rotterdam, RAW Art Fair and Verwoest Huis Bloemhof (Putsebocht 58-60, Rotterdam).
The documented final result is for sale at Art Rotterdam, at the booth of Galerie RAM. Fair director Fons Hof Fons Hof (1966), former gallery holder of Galerie Hof & Huyser in Amsterdam, is the director of Art Rotterdam: "The Art Rotterdam fair is a constant factor in the yearly agenda of all European collectors of young contemporary art. To further strengthen our international reputation we have introduced Art Rotterdam Projections. The first fair for film and video in the world, in an open and interactive setting. Art Rotterdam Projections will be the international meeting place for
connoisseurs, collectors and curators of film and video art".
ART ROTTERDAM 2013 GALLERIES:

MAIN SECTION
0gms (BG) | acb Gallery (HU) | Akinci (NL) | Paul Andriesse (NL) | Anyspace (BE) | Willem Baars Art Consultancy (NL) | Albert Baronian (BE) | van den Berge (NL) | Johan Berggren (SE) | Boetzelaer - Nispen (NL) | | Brand New Gallery (IT) | Cokkie Snoei (NL) | Cosar HMT (DE) | dépendance (BE) | Galerie Dix9 (FR) | De Expeditie (NL) | Flatland Gallery (NL) | Fruit and Flower Deli (SE) | Grimm (NL) | Juliette Jongma (NL) | Kisterem (HU) | van Krimpen (NL) | Wouter van Leeuwen (NL) | Wilfried Lentz Rotterdam (NL) | Lumen Travo (NL) | Luttgenmeijer (DE) | Ron Mandos (NL) | Alessandro de March (IT) | Kunsthandel Meijer (NL) | Kai Middendorff Galerie (DE) | Meessen De Clercq (BE) | van der Mieden (BE) | MOT International (UK) | Neue Alte Brucke (DE) | Office Baroque (BE) | Onrust (NL) | P74 Gallery (SI) | Phoebus Rotterdam (NL) | RAM (NL) | Ramakers (NL) | Reuten Galerie (NL) | David Risley Gallery (DK) | Rokeby (UK) | Gabriel Rolt (NL) | Rotwand (CH) | Schau Ort (CH) | Slewe (NL) | Sommer & Kohl (DE) | sorry we're closed (BE) | Barbara Seiler (CH) | Stigter van Doesburg (NL) | tegenboschvanvreden (NL) | Tenderpixel (UK) | TORCH (NL) | Upstream (NL) | Van Zijll Langhout / Contempoary Art (NL) | Vilma Gold (UK) | VIVID (NL) | Vous etes ici (NL) | Fons Welters (NL) | West (NL) | Martin van Zomeren (NL) |
NEW ART SECTION
Samy Abraham (FR) | Rolando Anselmi (DE) | Apice for Artists (NL) | Base-Alpha Gallery (BE) | Figge von Rosen Galerie (DE) | Jeanine Hofland Contemporary Art (NL) | Emmanuel Hervé (FR) | Klemm's (DE) | Martin Kudlek (DE) | Nettie Horn (UK) | Ricou Gallery (BE) | Federica Schiavo Gallery (IT) | Torri (FR) | waterside contemporary (UK) | Works|Projects (UK) 
PROJECTIONS
Jan van de Pavert - Paul Andriesse (NL) | Stefan Constantinescu - Anita Beckers (DE) | Benoit Plateus - Albert Baronian (BE) | Erkka Nissinen - Ellen de Bruijne Projects (NL) | Sam Curtis - Division of Labour (UK) | Sophia Pompéry - Galerie Dix9 (FR) | Michael Joaquin Grey - Carroll Fletcher (UK) | Matthew Lutz-Kinoy - van Gelder (NL) | Meiro Koizumi - Annet Gelink Gallery (NL) | Josephine Meckseper - Reinhard Hauff (DE) | Johanna Billing - Hollybush Gardens (UK) | Christian Friedrich - Wilfried Lentz (NL) | Hans Op de Beeck - Ron Mandos (NL) | Carlos Irijalba - Galerie Sherin Najjar (DE) | Hajnal Németh - RAM (NL) | Harm Weistra - Joey Ramone (NL) | Keren Cytter - Schau Ort (CH) | Antonio Vega Macotela - Stigter van Doesburg (NL) | Navid Nuur - Martin van Zomeren (NL) |


Art Rotterdam & Art Rotterdam Projections 2013
Cruise Terminal and Las Palmas, the Wilhelminapier in Rotterdam
Thursday  7 – Sunday 10 February 2013
Opening hours: Thu 7 Feb 12.00 - 18.00 hrs., Fri 8 Feb 12.00 - 21.00 hrs.,
Sat 9 & Sun 10 Feb 11.00 - 19.00 hrs. 
www.artrotterdam.com

2013/02/05

Thomas Bayrle at WIELS, Brussels


WIELS, Brussels
Thomas Bayrle: All-in-One
dates: 09.02 – 12.05.2013
Curated by Devrim Bayar




WIELS is presenting the first major survey exhibition in Belgium of German artist Thomas Bayrle, a pioneer of Pop, Seriality and Media Art. As such, WIELS continues its alternative reading of art history by foregrounding often overlooked artists whose work shift our understanding of major changes in the history of art and ideas.

Bayrle has worked as an artist and a graphic designer since the mid 1960s, inventing a unique visual language through the production of collages, paintings, sculptures, films and books. In the process, he built an important body of work that is surprisingly consistent, obsessive even, combining allegiances to Pop, Conceptual and Op art alike with wry humor. Despite this, and indeed despite his far-reaching influence on a whole new generation of artists through his tenure as professor at the renowned Städelschule in Frankfurt between 1975 and 2002, he remains relatively little known to the general public.

Like his late Frankfurt artist contemporaries Peter Roehr and Charlotte Posenenske, Bayrle created works in the mid 1960s based on the serial repetition of the same pattern, formal compositions indebted to the seriality of the then-emerging Minimal Art movement. Steeped in many of the ideas of the Frankfurt School, with which it shares geographic proximity, Bayrle's work has all along retained the critical engagement that drove his earliest experiments. His interest in mass culture and incorporation, in the midst of the Cold War, of the symbols of the capitalist and communist societies then charting their antagonistic course on either side of the Wall pervades his oeuvre.

The retrospective exhibition of Bayrle at WIELS will span the artist's entire carreer, from his first painted kinetic machines to his most recent engine installations, the latter recently featured at dOCUMENTA (13). The show will eschew showing work along chronological lines; rather, it will put forward the variety of, at times, contradictory themes in the artist's work, including consumerism and consumer society, political propaganda, sexuality, and religion.

more in
http://www.wiels.org/en/exhibitions/404/Thomas-Bayrle-All-in-One

address:
WIELS, Contemporary Art Centre

Avenue Van Volxemlaan 354
1190 Brussels, Belgium
T +32 (0)2 340 00 53
F +32 (0)2 340 00 59

* photocredit of the image: wiels (be)


2013/01/22

Ana Mendieta`s retrospective at Castello Rivoli Museum of Contemporary Art

Ana Mendieta. She Got LoveJ
Curated by Beatrice Merz and Olga Gambari

January 30–May 5, 2013

Castello di Rivoli Museum of Contemporary Art
Piazza Mafalda di Savoia 
10098 Rivoli (Turin), Italy

Ana Mendieta. She Got Love, is a large-scale European retrospective devoted to the Cuban-born American artist Ana Mendieta (1948–1985). The exhibition will open on January 30 in the evocative spaces of the Manica Lunga. The project, curated by Beatrice Merz and Olga Gambari, aims to retrace the artist as a pioneer of performance, video, body art, photography, land art, and sculpture in the twentieth century. One of Mendieta's unique contributions is a synthesis of these forms into a fresh, visual language which has influenced a generation of younger artists. In more than one hundred of Mendieta's works produced between 1972 and 1985, the exhibition presents her extremely personal vocabulary that combines the visionary and material, magical and poetic, and political and progressive. Mendieta's identity as a female informed her work as an artist, beginning with her childhood cultural roots in Cuba to her development as an iconic female artist in the United States. She addressed issues such as individual existence, life and death, violence, love, sex, re-birth, and exile in a coherent manner that is transcendent towards the universal and spiritual. Often inserting her body in nature, Mendieta worked in different environments from Cuba to the United States to Italy, investigating both personal and collective origins. A recurrent distinctive sign in all her works is a typical feminine silhouette or "siluetta," an essential self-portrait created from earth, mud, feathers, flowers, leaves, ash, gunpowder, branches, shells, grass, ice, rock, wax, moss, sand, blood, water, and fire. These hybrid forms of performance, site-specific sculpture, and documentation express her desire to reunite with an eternal and universal cosmic energy where the human, the natural, and the divine component coexist.

Each of her performances are presented as a profound and enveloping environment described through video, sketches, photographs, and notes, providing both mental and physical access to the original location of the work. The exhibition's title, She Got Love, is derived from one of Mendieta's film works in which the artist scrawls the words in blood red across a white door. It is among the many films in the artist's oeuvre, a selection of which will be highlighted in the exhibition.

The exhaustive catalogue, published by Skira in conjunction with the retrospective at Castello di Rivoli, includes texts by the curators, a bio-bibliographical section, and a wide selection of images, a number which have not been previously reproduced.

The exhibition corresponds with the occasion of the world premiere of Itali-ana, Mendieta in Rome, a documentary on Mendieta's artistic development during her years in residence at the American Academy in Rome, Italy. The film is produced by Corazon Pictures and directed by Raquel Cecilia Mendieta. This documentary film will be screened throughout the exhibition.

The retrospective has been realized in close collaboration with the Estate of Ana Mendieta and Galerie Lelong.

The exhibition has been made possible thanks to the contribution of Fondazione Arte Moderna e Contemporanea CRT, the technical support from Kuhn & Bülow Insurance Broker, Berlin and the media partnership of La Stampa.
more:
Press Office, Castello di Rivoli Museum of Contemporary ArtSilvano Bertalot 
Manuela Vasco
T +39 011 9565209 - 211 

ARTE FIERA 2013 BOLOGNA


ARTE FIERA 2013 BOLOGNA  
25-28 JANUARY 2013 

With Verzotti and Spadoni as Artistic Directors, Arte Fiera will again present the finest in
contemporary and modern Italian art. Agreement between BolognaFiere and the City of
Bologna for a programme of exhibits and cultural events coordinated by Maraniello,
Director of MAMbo. The 2013 edition of Arte Fiera Art First, to be held in Bologna from Friday 25 to Monday 28 January, was presented today at a press conference at BolognaFiere. The conference announced new features of the next edition, which will strengthen the national and international leadership of Italy’s top exhibition devoted to art.
Duccio Campagnoli, President of BolognaFiere, Alberto Ronchi, Bologna’s Councillor for Culture,
and  Massimo Di Carlo, Chairman of the Association of Italian Galleries, presented the first two
important new aspects of the next Arte Fiera.
First, the exhibition’s new artistic direction, entrusted to two of Italy’s top art experts:  Giorgio
Verzotti, who will curate the contemporary art section, and Claudio Spadoni, who will be in charge
of modern art.  As Duccio Campagnoli affirms, “These choices have confirmed and strengthened our collaboration with Italian gallery owners and their Association, and will certainly confirm and expand Arte Fiera’s role as the largest and most complete exhibition in Italy and the foremost opportunity for modern and contemporary Italian art. We will give even greater emphasis to new galleries, young artists, and international participants. With our renewed agreement with the City of Bologna and the commitment of its Councillor for Culture, we want to achieve our goal of presenting not just an art fair that involves the city, but of having the entire city live for art – both during and after Arte Fiera.
In these tragic days for our region, the heritage lost under the rubble of the earthquakes makes us
understand the value of art as a sign of history, a symbol of society, of shared emotion.”
Second, President Campagnoli and Councillor Ronchi presented the agreement between the City of
Bologna and BolognaFiere to organize the cultural and exhibition programme that will accompany
Arte Fiera and confirm Bologna’s vocation as a city of art and culture.
The cultural initiatives offered by Arte Fiera and the City will be coordinated and presented by
MAMbo (Museo d’Arte Moderna di Bologna), directed by Lorenzo Sassoli de’ Bianchi and curated by Gianfranco Maraniello, with a coordination committee that includes the artistic directors of Arte
Fiera. Giorgio Verzotti, art critic, was chief curator at Castello di Rivoli (Turin) and at M.A.R.T. (Rovereto).
Claudio Spadoni, art historian, is the scientific  director of MAR (Ravenna) and has curated many
exhibits for public museums and galleries in Italy.  Thanks to the arrival of the two new directors and the division of their responsibilities, Arte Fiera will expand its horizons to modern art as well: the exhibition and galleries will offer not only contemporary art, but an entire century of fine Italian art, art which since the early 20th  century has filled museums and galleries all over the world, thereby recovering artists who otherwise would have been excluded from the original format.
“Bologna has always been important,” notes  Giorgio Verzotti, speaking of his new assignment.
“Arte Fiera has confirmed its role as Italy’s foremost art fair thanks to the quality of its galleries and, consequently, of the works shown. We have to continue in this direction while simultaneously
innovating. With regard to contemporary art, my task will be to confirm this excellence, increasing the Fair’s power to attract new galleries in Italy and abroad, and to maximise its internationalisation.
The Technical Committee and I will carefully evaluate proposals from galleries to characterise the
event based on concrete guidelines, with rigorous selection, to create an exhibition that will be truly
one-of-a-kind and honour it international fame.” The goal of making Arte Fiera “the largest fair of Italian art” is also a priority for Claudio Spadoni, who will curate its expansion to the early 20th
 century. “I see this assignment as a historical possibility to return space to those great Italian artists, who will be promoted by involving galleries and awakening the public and collectors to the unique historical and artistic heritage they represent.
In this way, Arte Fiera will confirm its national leadership and become even more important
internationally, attracting a larger number of collectors, especially from abroad.” Bologna and its art institutions are working as a team to consolidate the success of Arte Fiera Off events, which attract tens of thousands to Bologna in renewed interest in art. Starting this year, museums will play a principal role in hosting events, coordinated by the artistic director of MAMbo,  Gianfranco Maraniello. “It will be an opportunity for the city to show and recover little-known sites dedicated to art. In Arte Fiera’s new formula, they will be natural sites on a path leading to artistic pleasure. Bologna and its historical centre will be transformed into a great museum, open to everyone.”
According to Massimo Di Carlo, Chairman of the Association of Italian Galleries, “The plan for this
new Arte Fiera is important and ambitious because it creates a dialogue between city institutions and the organisation of the Fair. This in itself is new for an Italian fair. In these critical and tragic times, art is demonstrating its ability to conserve an intrinsic value and to appease the spirit. In early 2013, Arte Fiera Art First will be the first exhibition on the calendar as well as the first due to its strategic position. There is great esteem for the two new directors in professional circles, and expectations are very high. Our galleries will go all out, because Arte Fiera is crucial for us. We have an important and profitable relationship with BolognaFiere and its president. Arte Fiera is a jewel that adds value to BolognaFiere’s activities and is a reference point for gallery owners. In this difficult climate, we have to find even more energy to demonstrate the quality of our work and to reinforce the year’s most important event.”
-press office Arte Fiera Bologna-

for program and collateral events see more in  http://www.artefiera.bolognafiere.it

Art Paris Art Fair 2013


Art Paris Art Fair 2013
Modern + contemporary art + design
Russia Guest of Honour

28 March–1 April 2013
Opening: 27 March 2013

The springtime event for modern and contemporary art in Paris
Held from 28th March to 1st April, Art Paris Art Fair brings together 140 galleries from 21 countries under the majestic roof of the Grand Palais. The fair presents a wide range of modern and contemporary works and is open to all forms of artistic practice including contemporary design. A series of talks and a VIP programme for collectors titled Springtime in Paris will focus on the best of contemporary art and contribute to highlight the role of Paris as one of Europe's leading capitals for art.

A fundamentally new selection
The 2013 selection will bring a very high proportion of new galleries (61 new arrivals this year) and one of the highest levels of foreign participants (43% of exhibitors are coming from outside France). Bosnia, Finland, Russia (with a major representation of 11 galleries), Saudi Arabia, Slovenia and The United Arab Emirates are making their first appearance at the fair.

Art Paris Art Fair is reinforcing its unique identity not only by showcasing both the diversity and the specificity of the artistic scenes from all around Europe, but also by focussing on the art scenes of the East—from Central and Eastern Europe, the Middle East and Asia.

Russia Guest of Honour
For the first time Art Paris Art Fair is inviting a country as guest of honour. This year it is Russia. A central platform hosts eleven galleries from Moscow, St. Petersburg, Rostov-on-don, and Vladivostok, while 15 or so European galleries are presenting work by their Russian artists. Showcasing work by some 90 artists, Art Paris Fair will offer an exceptional panorama of Russian art: from the Russian émigrés of the 1930s to the non-conformist movements of the Soviet period through to the most contemporary production.

Promises: a new section for young galleries
Art Paris Art Fair launches a new section called Promises devoted to the promotion of recent galleries that have been established for less than five years. Twelve galleries make up the 2013 selection to encourage the discovery of new talent: 16th Line (Rostov on Don), Leonardi Agosti (Sète), Backslash (Paris), Duplex 10m2 (Sarajevo), Edward Cutler (Milan), Lam Art Gallery (Riyadh), Lehr Zeitgenössische Kunst (Cologne), NK Gallery (Antwerp), de Roussan (Paris), Vincent Sator (Paris), Trinity Contemporary (London), and XPO Gallery (Paris).
Promises is supported by l'Officiel Art.

Artdesign platform: exploring the relationship between art and contemporary design
Dedicated to the exploration of the links between design and contemporary art, the Artdesign platform brings together a cutting-edge selection of eight galleries which present exclusive pieces produced in a confidential mode by contemporary talents. On show there will notably be sculpture-objects by Hubert le Gall (Mazel Galerie), recent creations by Matali Crasset  (Domeau et Pérès and Slott Gallery), unique pieces by Mattia Bonetti (Cat-Berro Gallery), and jewellery made by artists and designers (Galerie MiniMasterpiece).
The Artdesign platform is supported by IDEAT Magazine.


Practical information
Opening (by invitation only): Wednesday 27 March 2013, 6–8pm

Hours: Thursday 28 March, Saturday 30 March and Sunday 31 March: 11:30–8pm
Friday 29 March: 1130–10 pm
Monday 1 April: 11:30–7pm

Admission: 20Euro / 10 Euro for students and groups
Catalogue: 20 Euro

Travel: For travel arrangements and accommodation, please take advantage of our partnership with Turon Travel, T + 1(212) 925-5453 / apaf@turontravel.com.

Press relations: 2e bureau
18 rue Portefoin, 75003 Paris
T +33 (0) 1 42 33 93 18
F +33 (0) 1 40 26 43 53
Sylvie Grumbach: sylvie.grumbach@2e-bureau.com
Martial Hobeniche: m.hobeniche@2e-bureau.com
Flore Guiraud: f.guiraud@2e-bureau.com


List of Exhibitors 2013 as of 16th January
10 Chancery Lane Gallery (Hong Kong) | 16th Line Gallery (Rostov sur le Don)* | 313 Art Project (Seoul) | A2Z Art Gallery (Ivry-sur-Seine) | AD Galerie (Beziers/Montpellier) | Louise Alexander Gallery (Porto Cervo) | Galerie Alexis Lartigue (Neuilly-sur-Seine)* | ALFA Galerie (Paris) | Analix Forever (Geneva) | Galerie Anne de Villepoix (Paris)* | Arka Gallery (Vladivostok)* | Arte Estampa (Madrid)* | Galerie Arts d'Australie • Stéphane Jacob (Paris) | Backslash Gallery (Paris)* | Galerie Helene Bailly (Paris)* | Baudoin Lebon (Paris) | Galerie Renate Bender (Munich)* | Galerie Christian Berst (Paris)* | Galerie Berthet-Aittouarès (Paris) | Galerie Blue Square (Washington, DC)* | Bodson-Emelinckx Gallery (Brussels)* | Galerie Jean Brolly (Paris) | Cat-Berro Galerie (Paris)* | Galerie Bernard Ceysson (Saint-Etienne/Luxembourg/Paris/Geneva) | Galerie Pierre-Alain Challier (Paris) | Clair Galerie (Munich/Saint-Paul de Vence) | Galerie Claude Bernard (Paris) | Galerie Claude Lemand (Paris)* | Galerie Coullaud & Koulinsky (Paris)* | Galerie Da End (Paris)* | De Primi Fine Art (Lugano) | Galerie De Roussan (Paris)* | Domeau & Pérès (La Garenne Colombes) | Galerie Dukan (Paris) | Duplex 10m2 (Sarajevo)* | Edward Cutler Gallery (Milan)* | Eidos Immagini Contemporanee (Asti) | Erarta Galleries (London)* | Galerie Les Filles Du Calvaire (Paris) | Flatland Gallery (Utrecht/Amsterdam) | Gagliardi Art System (Turin) | Galerie Christophe Gaillard (Paris)* | Galerija Fotografija (Lljubljana)* | Galerie Claire Gastaud (Clermont-Ferrand) | Gimpel & Müller (Paris/London) | Gallery Grinberg (Moscow)* | Galerie Guillaume (Paris) | H.A.N. Gallery (Seoul) | Galerie Mark Hachem (Beirut/Paris)* | Galleria Heino (Helsinki)* | Heritage International Art Gallery (Moscow)* | Galerie Thessa Herold (Paris)* | Galerie Ernst Hilger (Vienna) | Galerie Catherine Houard (Paris) | IFA Gallery (Shanghai) | Ilan Engel Gallery (Paris) | Galerie Imane Farès (Paris) | Inda Galeria (Budapest) | Galerie Iragui (Moscow)* | Galerie Catherine Issert (Saint-Paul de Vence) | J. Bastien Art (Brussels) | Galerie Pascal Janssens (Ghent) | Galerie Jean Fournier (Paris) | JGM. Galerie (Paris) | Galerie Bernard Jordan (Paris)* | La Galerie Particulière (Paris) | Galerie La Ligne (Zürich)* | Galerie Lahumière (Paris) | Lam Art Gallery (Riyadh)* | Laurent Delaye Gallery (London)* | Lehr Zeitgenössische Kunst (Cologne)* | Galerie Leonardo Agosti (Sete)* | Gallery Lilja Zakirova (Heusden)* | Galerie Maeght (Paris)* | Magnin-A (Paris)* | Kálmán Makláry Fine Arts (Budapest) | Mam Galerie (Rouen)* | Marina Gisich Gallery (Saint-Petersburg) - Ural Vision Gallery (Ekaterinburg)* | Mazel Galerie (Brussels) | Galerie melanieRio (Nantes)* | Galerie MiniMasterpiece (Paris)* | Galerie Alice Mogabgab (Beirut) | Galerie Frédéric Moisan (Paris)* | Galerie Lélia Mordoch (Paris) | Nadja Brykina Gallery AG (Zurich)* | NK Gallery (Antwerp)* | Nuovo Gallery (Daegu)* | Galerie Nathalie Obadia (Paris/Brussels) | Oniris - Galerie d'Art Contemporain (Rennes) | Galerie Paris-Beijing (Paris/Brussels) | Galerie Priska Pasquer (Cologne) | Pechersky Gallery (Moscow) | Herve Perdriolle Inde(s) (Paris)* | Galleria Giuseppe Pero (Milan)* | Pièce  Unique (Paris)* | Galerie Placido (Paris)* | Galerie Polad Hardouin (Paris)* | Pop/Off/Art Gallery (Moscow/Berlin)* | Galerie Catherine Putman (Paris) | Galerie Rabouan Moussion (Paris) | RCM Galerie (Paris)* | Revue Noire (Paris) | Galerie Richard (Paris/New York) | J.P. Ritsch-Fisch Galerie (Strasbourg) | Rue Française By Miss China (Paris)* | Sarah Myerscough Fine Art (London)* | Galerie Sator (Paris)* | Mimmo Scognamiglio Artecontemporanea (Milan)* | SEM ART Gallery (Monaco)* | Semiose Galerie (Paris) | André Simoens Gallery (Knokke) | Galerie Slott (Paris) | Galerie Véronique Smagghe (Paris) | Michel Soskine Inc (Madrid/New York)* | Galerie Suzanne Tarasieve (Paris)* | Galerie Taiss (Paris) | Galerie Tamenaga (Paris/Tokyo/Osaka) | Galerie Tanit (Munich/Beirut)* | Galerie Daniel Templon (Paris) | The Empty Quarter (Dubai)* | Galerie Patrice Trigano (Paris) | Trinity Contemporary (London)* | Galerie Tristan (Issy les Moulineaux)* | GVQ - Galerie Vanessa Quang (Paris) | Várfok Gallery (Budapest)* | Venice Projects (Venise) | Galerie Vieille Du Temple (Paris) | Galerie Vu' (Paris) | Galerie Wolkonsky (Munich)* | XPO Gallery (Paris)* | Galerie Zürcher (Paris/New York)
*new participant


Grand Palais
Avenue Winston Churchill
75008 Paris

www.artparis.fr