Places of Transition @quartier21 Vienna

Places of Transition
Curated by Gülsen Bal and Walter Seidl.

Jan 24 to Mar 13,2014
Opening: Thu, Jan 23, 19:00
Venue:freiraum quartier21 INTERNATIONAL

Artists: Libia Castro (ESP) & Ólafur Ólafsson (ISL), Köken Ergun (TUR), Vikenti Komitski (BUL), Aslı Çavuşoğlu (TUR), Marco Poloni (SUI), Oliver Ressler (AUT), Milica Tomić (SRB), Santiago Sierra (ESP), Akram Zaatari (LIB)

Demolitions and Excavations (2002) Libia Castro & Ólafur Ólafsson; 

photo credit: Quartier21 Vienna

about the exhibition: 
In search of “possible futures”, the exhibition Places of Transition brings together a variety of art works that engage in an evolving process of producing pluralistic approaches which, in their multiplicity, provoke an encounter on both a visual and discursive level. The changing parameters of transnational questions about common models of interaction necessitate a view on global shifts of power. While the East-West divide in Europe is drawing to a close, the power struggles in the Middle East have pushed back the hopes of the Arab spring and foster the debate on political periods of transition on a global scale.  

In this respect, the exhibition looks at the notion of space as a devise for re-linking and reclaiming “commons” as an effort to engage in a critique of dominant narratives and assumptions. These reflect different stages in and of lived experiences by “looking inside him/her-self; he/she looks into the eyes of another or with the eyes of another.” Each of the invited artists tackles the question of transition with regard to their own country and thus, the exhibition offers multiple voices, which come from different political and religious backgrounds. In this respect, the question of transition questions the attitude with which artists reflect certain traditions in their countries. Being mostly associated with a laical approach towards living, artists nevertheless look at certain traditions in order to formulate a radical break in their work. As a result, critical voices about the past, present and future evolve in order to create new territories of thought.

Gülsen Bal and Walter Seidl, Curators 

image: Burned Word by Santiago Sierra 

© Courtesy of Estudio Santiago Sierra; Quartier21 Vienna

The set-up of the exhibition underlines the curatorial approach that provides the utmost importance to the visibility and the communication of the works, which provide a look at the intersection of social, political and economic codes.

The video installation by Oliver Ressler is a good example. The film “Socialism Failed, Capitalism is Bankrupt: What Comes Next?” was shot in summer 2010 in the largest bazaar of Yerevan, called “Bangladesh.” In the “Bangladesh” bazaar, more than 1,000 people a day try to survive as merchants, but the average seller earns no more than 100 to 250 euros a month. In the film, merchants at the market tell about their battle for survival in the crisis of a post-socialist state in which the majority of all of the factories from the Soviet era have been shut down and the social security network was dissolved.

The video and photographic piece by Milica Tomić also refers to a very personal situation. “Portrait of My Mother (1999)” was produced in the days after the Nato bombardments of Belgrade. Tomić examines the complex relationship between the trauma of the lost Yugoslavian modernity and the new identity policies of the Milosević years. She politicizes the biography of her mother, Marija Milutinović, as an exemplary moment. The narrative leads to the apartment of her mother in a modernist satellite town from the Tito era on the edge of the city – past Muslim settlements from the turn of the century and an apartment building bombed by Nato.

image: Vikenti Komitski "Pop-Up Wall" , installation, 2014 

photo credit: Vikenti Komitski; Quartier21 Vienna

The installation “Pop-Up Wall” (2014) by Vikenti Komitski (born in Sofia and lives in Berlin), which he developed during his residency at the MQ, the artist addresses how borders are still drawn up to protect the “Fortress Europe.” His work refers to Bulgaria’s current attempt to build a 30-kilometer-long border between Turkey and the Bulgarian towns of Lesovo and Kraynovo by February 2014 in order to prevent Syrian refugees from entering the country.


The exhibition also poses the question how artists deal with certain traditions in their home countries. Despite a personal tendency toward laicist models, many artists examine country-specific models and radically deconstruct them in their works. This results in critical statements about the past, present, and future that have the potential to create new territories of thought.

download the brochure : 

Artists:
Libia Castro (ESP)* & Ólafur Ólafsson (ISL)*, Köken Ergun (TUR)*, Vikenti Komitski (BUL)*, Aslı Çavuşoğlu (TUR), Marco Poloni (SUI), Oliver Ressler (AUT), Milica Tomić (SRB), Santiago Sierra (ESP), Akram Zaatari (LIB)
*quartier21/MuseumsQuartier Artists-in-Residence

“Places of Transition” is organized in cooperation with the Federal Ministry for European and International Affairs.

Venue:
freiraum quartier21 INTERNATIONAL
Jan 24 to Mar 13,2014
opening: Thu, Jan 23, 19:00
Vienna
http://www.quartier21.at
for more about the exhibition click here: 

source quartier21 

The Empty Pedestal | Ghosts from the Eastern Europe at ARTE FIERA BOLOGNA 2014

Il Piedistallo Vuoto / The Empty Pedestal | Ghosts from the Eastern Europe 
Arte Fiera Bologna 2014 |  Museo Civico Archeologico
Curated by Marco Scotini and Giorgio Verzotti 
24 January - 16 March 2014

special opening: Monday, January 27,2014
Museo Civico Archeologico | Via dell’Archiginnasio 2, Bologna| Italy

Y. Meldibekov, N. Oris, Tashkent. Lenin, serie Family Album, 40x55 cm, 2008

photo credit: Arte Fiera , Bologna 

about the exhibition:
The 2014 edition of Bologna Arte Fiera is host Il Piedistallo vuoto/The Empty pedestal, an overview of contemporary Eastern European Art belonging to Italy’s top private art collections. The exhibition will feature around 100 large‐scale works and a selection of 40 artists among the leading representatives of the art scene before and after the fall of the Berlin wall: the last generations before and after the dissolution of the Soviet Union.
Following the successful exhibitions, The Premises of the Past recently presented at the Centre Pompidou in Paris and Ostalgia at the New Museum in New York, the Italian exhibition echoes the same themes but with an entirely future‐oriented focus. The very title of the BolognaFiere exhibition alludes to expectation and the passage of time waiting for something still unknown to pass, and a subjectivity yet to be invented. This present‐day condition is expressed in many of the works blending reflections on a collective memory with those on an uncertain future yet to take shape.

The exhibition boasts a wealth of landmark works by artists who had not a found a space in socialist culture, including Ylia Kabakov, Vyatscheslav Akhunov, Jiri Kovanda, Julius Koller, Mladen Stilinovic, Ion Grigorescu, Nedko Solokov and the young generation of artists who have enjoyed widescale recognition with figures like Roman Ondak, Anri Sala, David Maljkovic, Pawel Althamer, Artur Zmijewski, Deimantas Narkevicius, Mircea Cantor and many others. The acclaimed young Slovenian artist Tobias Putrith has been appointed to design a small cinema in which to screen exhibition videos.

Il Piedistallo vuoto/The Empty pedestal plans to reconstruct an entire artistic geography from individual artistic figures and specific epicentres ranging from Prague, Zagabria, Bucharest, Warsavia, Tirana, Belgrade, Riga, Moscow and Saint Petersburg to locations in Central Asia including Alma Ata and Tashkent.

Julius Koller, U.F.O.-naut J.K. (U.F.O.), 1981

photo credit: Arte Fiera, Bologna

"But it won't be an exhibition on nostalgia for the past," emphasizes curator Marco Scotini, who has since long been following the protagonists of this artistic juncture, organizing many internationally acclaimed  research exhibitions. "Instead, it will be an exhibition on a context still very much alive, a potentiality." This exhibit's title alludes to the historical passage, but also a desire, populated by spectres, something that keeps returning, before even having happened. Starting from the 1970s, the exhibition spans two major periods: 1989 with the fall of the Berlin wall, and 1991 with the dissolution of the Soviet Union and the Warsaw Pact. Twenty years on, we shall see videos, performances, installations, photographs, drawings and paintings by many of the artists ostracized by Socialist culture, flanked by the work of the newest crop of young artists now enjoying worldwide fame. The exhibition is a broad survey of the emerging art scene already developed in the late 1990s by curator Marco Scotini in numerous Italian and international exhibitions and coming to a close with Il Piedistallo Vuoto/The empty Pedestal in the premises Bologna’s Archaeological Museum.

Elena Kovylina, Egalité, 2008, dvd video, 9', 

photo credit:  Collezione Fondazione Sandretto Re Rebaudengo; Arte Fiera Bologna

Selected artists include:  
Marina Abramovic, Vyatscheslav Akhunov, Victor Alimpiev, Pawel Althamer, Janis Avotins, Said Atabekov, Miroslav Balka, Mircea Cantor, Gintaras Didžiapetris, Thea Djordjadze, Yona Friedman, Dmitry Gutov, Ion Grigorescu, Ylia Kabakov, Július Koller, Jiri Kovanda, Elena Kovylina, Robert Kuśmirowski, Armando Lulaj, David Maljkovic, Ivan Mikhailov, Deimantas Narkevicius, Paulina Olowska, Roman Ondak, Adrian Paci, Tobias Putrih, Mladen Stilinovic, Nedko Solakov, Anri Sala, Kateřina Šedá, Monika Sosnowska, Miroslav Tichý, Jaan Toomik, Victor Man, David Ter‐Oganian, Bojan Sarcevic, Artur Zmjewski, and many others.

The collections featured in the exhibition include: the Collection Sandretto Re Rebaudengo, the Trussardi Foundation, the Enea Righi Collection, La Gaia Collection, Turin, the Maramotti Collection, Unicredit, the Dalle Nogare Collection, the Gemma Testa Collection, Giorgio Fasol’s Agiverona Collection, the Cotroneo Collection, together with other Italian brand collections.
The accompanying catalogue is published in Italian and English by Mousse publishing and includes contributions by Boris Buden, Keti Chukhrov, Vit Havranek, Marco Scotini, and Joanna Warsza.

Information
ARTE FIERA
International exhibition of modern and contemporary art

Opening times:
24 January–16 March 2014
Hours: Tuesday–Sunday, 10am–6.30pm
Saturday 25 January open until midnight
Monday 27 January special opening
Preview by invitation: Thursday 23 January, 8pm

Arte Fiera
BolognaFiere
Viale della Fiera, 20
40127 Bologna | Italy
www.bolognafiere.it